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Articles by Glenn Astarita

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Album Review

Bushman's Revenge: Ah, Les Vaches

Read "Ah, Les Vaches" reviewed by Glenn Astarita

by Glenn Astarita

Norway's Bushman's Revenge has long occupied its own corner of the Scandinavian progressive music scene, where jazz improvisation, psychedelic rock and heavy guitar music regularly cross paths. Guitarist Even Helte Hermansen, drummer Gard Nilssen and new bassist Tor Egil Kreken retain the power-trio format, but brute force is only part of the equation. What distinguishes the band is its ability to turn open-ended improvisation and prog-rock architecture into something unusually organic, moving from atmospheric restraint to near-chaos without sounding as ...

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5

Album Review

Punkt.Vrt.Plastik: Kompress

Read "Kompress" reviewed by Glenn Astarita

by Glenn Astarita

Punkt.Vrt.Plastik has spent nearly a decade demonstrating that the piano trio need not behave like a piano trio. Pianist Kaja Draksler, bassist Petter Eldh and drummer Christian Lillinger established their peculiar chemistry on the excellent Punkt.Vrt.Plastik (Intakt, 2018), pushed it into more intricately constructed territory with Somit (Intakt, 2021) and documented its live potency on Zurich Concert (Intakt, 2022). Kompress continues the group's unconventional methods while tightening them into relatively concise pieces. Calling this outside jazz only gets ...

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11

Album Review

Brand X: Theory of Nothing: Record Live in 1977

Read "Theory of Nothing: Record Live in 1977" reviewed by Glenn Astarita

by Glenn Astarita

Every so often an archival release arrives that makes you wonder how such music remained unheard for so long. Theory of Nothing: Recorded Live 1977 is one of those releases. Drawn from reel-to-reel tapes discovered in the collection of Brand X keyboardist Robin Lumley, this two-CD set captures the British progressive rock / jazz fusion band during its 1977 U.S. tour, offering a vivid glimpse of the group at its best. The first disc sounds astonishingly fresh, with ...

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7

Album Review

Co Streiff - Russ Johnson Quartet: Oracle

Read "Oracle" reviewed by Glenn Astarita

by Glenn Astarita

"In Circles--Yellow Crane" joins two pieces, Co Streiff's “In Circles," which also gave the quartet's 2012 debut its title, and Russ Johnson's “Yellow Crane." At 16 minutes, 27 seconds it is the longest track on Oracle, taken from the group's 2023 European tour. The band has been together on and off since the early 2010s, with Gerry Hemingway on drums since 2019 and Christian Weber on bass. Sixteen minutes is a lot of room for a quartet with ...

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12

Album Review

Henry Grimes & Marzette Watts: The Call

Read "The Call" reviewed by Glenn Astarita

by Glenn Astarita

Long before Henry Grimes became known as jazz's great Lazarus story, he was simply one of the most technically astonishing bassists working in New York City's' free jazz underground. Recorded on December 28, 1965, and issued by ESP-Disk in 1966, The Call stands as his debut as a leader, and it remains a document of quiet audacity rather than the raw energy so often associated with the label's catalog. Teaming with clarinetist Perry Robinson and drummer Tom Price, Grimes assembled ...

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11

Album Review

Jason Kruk: Beyond the Veil

Read "Beyond the Veil" reviewed by Glenn Astarita

by Glenn Astarita

Veteran New York City-based drummer and composer Jason Kruk leverages decades of technical precision and international touring into a major leap forward on Sun Goose Records. Rather than a standard rhythm showcase, his latest release is an ambitious, collaborative suite bridging structured composition and open improvisation. The album unfolds as a deeply conceptual journey through tracks named after natural elements and archetypes. Kruk anchors complex polyrhythms with a muscular yet nuanced touch, swinging seamlessly between aggressive fusion workouts ...

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11

Album Review

Frank London: Touzle Your Kurchy

Read "Touzle Your Kurchy" reviewed by Glenn Astarita

by Glenn Astarita

Trumpeter Frank London has never been one to color neatly inside the historical lines. Known for his groundbreaking work with the Klezmer Conservatory Band and The Klezmatics, the restless downtown maestro has spent decades detonating cultural boundaries. With the Loisaida Fife and Drum Corps, he turns his sights toward eighteenth-and nineteenth-century Americana, dragging dusty martial traditions into a sweaty, musical block party. The album borrows its title from an antique Scots-English fife-and-drum tune--a flirtatious dare to rumple someone's kerchief--and that ...

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20

Album Review

Andres Thor: Relocate

Read "Relocate" reviewed by Glenn Astarita

by Glenn Astarita

Icelandic guitarist Andres Thor has spent the better part of two decades quietly building a catalog that swings between Nordic chamber-jazz and something closer to countrified twang, and on Relocate the splits the difference again, this time with a jazz trio featuring French bassist Nico Moreaux and Icelandic drummer Magnús Trygvason Eliassen. The record follows the trio's 2022 debut, Hereby on Losen Records. Nine tracks, forty minutes, not a wasted motion--this is a band that has clearly done its homework ...

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10

Album Review

Lars Fredrik Frøislie: Gamle Mester

Read "Gamle Mester" reviewed by Glenn Astarita

by Glenn Astarita

Lars Fredrik Frøislie has spent the better part of two decades as the keyboard architect behind Wobbler, the Norwegian outfit that rebuilt 1970s symphonic prog from the inside out using vintage gear and a period-accurate ear. He has also logged time in White Willow and appeared on more than thirty other recordings since 2003, alongside a parallel career scoring music for television and film. His first solo outing, 2023's Fire Fortellinge on Karisma Records, established him as a bandleader rather ...

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19

Album Review

Luciano Soriano: New Places, Old Faces

Read "New Places, Old Faces" reviewed by Glenn Astarita

by Glenn Astarita

Luciano Soriano arrives with considerable momentum for a debut leader. He earned a Vail Jazz Workshop credential, an LA Jazz Society Shelly Manne New Talent Award, and a win at the International Trombone Festival's Carl Fontana Competition—all before completing his Jazz Trombone degree at Juilliard. As a commissioned composer for the school's Green Club, Soriano's ambitions clearly extend beyond the role of soloist. New Places, Old Faces, his debut as a leader, presents six originals with his working quintet in ...

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