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Articles by Glenn Astarita

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Album Review

Tim Brady: For Electric Guitar

Read "For Electric Guitar" reviewed by Glenn Astarita


For Electric Guitar stands as a major artistic statement from Montréal-based composer and electric guitarist Tim Brady. He began playing guitar at age eleven, initially teaching himself acoustic folk styles before transitioning to electric guitar during his teenage years. Brady later pursued formal training at Concordia University and the New England Conservatory, establishing the groundwork for a career that would persistently challenge the boundaries between composition, improvisation, and experimental practice.Over more than four decades, Brady has emerged as ...

11
Album Review

Kris Davis and the Lutoslawski Quartet: The Solastalgia Suite

Read "The Solastalgia Suite" reviewed by Glenn Astarita


Kris Davis, the Vancouver-born, Brooklyn-based pianist and composer, stands as one of contemporary jazz’ most visionary figures. A master improviser and bandleader, she has earned multiple DownBeat Critics Poll Pianist of the Year honors, received a Doris Duke Artist Award and co-led the 2023 Grammy-winning album New Standards Vol. 1 (Candid, 2023) for Best Jazz Instrumental Album. These accolades merely confirm what her body of work has long suggested: Davis operates well ahead of the curve.Known for her ...

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Album Review

Stefano Boggiani: Andvake

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Italian guitarist and composer Stefano Boggiani, now based in Oslo, operates at the crossroads of modern jazz and rock-inflected improvised music. Andvake, his debut for Losen Records, presents a Norwegian quartet featuring Oyvind Mathisen on trumpet, Oskar Lindberget on saxophones, Erlend Olderskog Albertsen on bass, and Markus Kristiansen on drums. The material originates from Boggiani's master's studies at the Norwegian Academy of Music, where the emphasis was placed on refining his compositional language and structural thinking. The title ...

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Album Review

Lars Fredrik Frøislie: Gamle Mester

Read "Gamle Mester" reviewed by Glenn Astarita


Lars Fredrik Frøislie ranks among the most accomplished keyboardists working in contemporary progressive rock. Best known as the primary keyboardist and compositional force behind Norway's Wobbler, he has helped restore the scope and discipline of 1970s symphonic prog without reducing it to homage. Beyond that role, Frøislie contributes to various projects and composes for film and television. A dedicated collector and performer of vintage analog instruments, including the Mellotron, Minimoog and Hammond organ, he draws from the lineage of Keith ...

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Album Review

Lorenzo De Finti Qrt: Backlash of Uncertainty

Read "Backlash of Uncertainty" reviewed by Glenn Astarita


Milan-based pianist and composer Lorenzo De Finti formed his quartet in 2016, with Backlash of Uncertainty marking the ensemble's fourth studio release. The group features De Finti on piano, Alberto Mandarini on trumpet and flugelhorn, Stefano Dall Ora on bass and Marco Castiglioni on drums. All five tracks stem from compositions co-authored by De Finti and Dall'Ora.The album opens with the title track, an eight-minute piece that immediately establishes a reflective tone through expansive melodic arcs threaded with ...

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Album Review

Denman Maroney Quintet: Umwelt

Read "Umwelt" reviewed by Glenn Astarita


Pianist and composer Denman Maroney, renowned for pioneering 'hyperpiano' techniques--in which he plays the keys with one hand while bowing, sliding, and striking the piano strings with objects such as metal bars, rubber blocks, and plastic implements--and for his innovative temporal harmonies that layer multiple tempos simultaneously, presents his latest work, Umwelt. The title, German for the perceptive capacities of species, draws inspiration from science journalist Ed Yong's book An Immense World (Penguin Random House, 2022), which explores how understanding ...

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Album Review

Kenny Reichert: Live in Chicago

Read "Live in Chicago" reviewed by Glenn Astarita


Kenny Reichert has been steadily building his reputation within the modern jazz world, and Live in Chicago stands as perhaps his most revealing statement to date. Recorded at Pro Musica with a hand-picked quartet featuring alto saxophonist Lenard Simpson, bassist Ethan Philion, and drummer Devin Drobka, this five-track collection captures something increasingly rare in contemporary jazz recordings: genuine, unvarnished spontaneity within a live setting. What is immediately striking about this record is its commitment to expansiveness. Each of ...

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Album Review

Oak: The Third Sleep

Read "The Third Sleep" reviewed by Glenn Astarita


The Third Sleep is the fourth album from Oslo's Oak--a Norwegian progressive rock outfit that began as a folk-rock duo in 2013 before expanding into a quartet known for atmospheric and melancholic soundscapes that blend post-rock restraint, melodic prog and occasional heavier edges reminiscent of Katatonia, Porcupine Tree and Anathema.Existing in the gray zone between waking consciousness and the drift into something deeper, the album continues the band's lyrical descent into the darker corridors of the mind, following ...

9
Album Review

Omrum: Bringer of Light

Read "Bringer of Light" reviewed by Glenn Astarita


The Copenhagen-based quartet Omrum, comprising a tier of top-flight Scandinavian musicians, delivers its debut with Bringer of Light. The album captures trumpeter Erik Kimestad, trombonist Mads Hyhne, bassist Richard Andersson, and drummer Jakob Hoyer moving fluidly between composed structures and collective improvisation, displaying both admirable restraint and mutual trust. The opening “Intro" and “Blues for Teitelbaum" set the tone: a focus on timbral subtlety, ethereal lyricism, and conversational interplay. Kimestad and Hyhne exhibit strong chemistry throughout, their trumpet ...

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Year in Review

Glenn Astarita's Best Jazz Albums Of 2025

Read "Glenn Astarita's Best Jazz Albums Of 2025" reviewed by Glenn Astarita


Another year, another reminder that jazz refuses to stay in its lane. The ten albums that grabbed me most in 2025 don't follow any neat narrative or trend--they're just the records I kept coming back to, the ones that made me hit repeat or sit up and pay closer attention. Some are from veterans who still have plenty to say, others from artists I'm just discovering. A few feel like natural progressions, while others surprised me in ways I'm still ...


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