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Jazz Articles about Yuma Uesaka

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Album Review

Lesley Mok: The Living Collection

Read "The Living Collection" reviewed by Hrayr Attarian


Percussionist and composer Lesley Mok is a restless explorer who has also been called a sound artist. However, that designation does not give a full picture of her creative vision. Mok deftly maintains the singular balance between the notated and the improvised as well as abstraction and accessibility, thus breaking out of narrow genreist designations, to make music which is urgently relevant. All this and more is clearly demonstrated on her debut as a leader, the provocative The Living Collection. ...

Album Review

Yuma Uesaka, Marilyn Crispell: Streams

Read "Streams" reviewed by Neri Pollastri


La grande ed esperta pianista Marilyn Crispell incontra in questo lavoro il giovane e talentuoso sassofonista e clarinettista di origini giapponesi Yuma Uesaka per dar vita a un album caratterizzato dall'equilibrata alternanza di scrittura e improvvisazione, lirismo e libertà. La Crispell ha lavorato con molti dei più importanti maestri del jazz e dell'improvvisazione—da Anthony Braxton a Gary Peacock e Paul Motian—e ha una particolare predilezione per il lavoro in duo, che mette qui a frutto sul materiale messo ...

Album Review

Anna Webber: Idiom

Read "Idiom" reviewed by Stefano Merighi


Già da oltre un decennio, la complessità della canadese Anna Webber (sax tenore, flauto, composizione) ci interroga sulla possibilità di compenetrare nel jazz di oggi mente e corpo, attitudine concettuale e abbandono rituale. Non è la prima, ovviamente, a lambire questi territori impervi. Si situa, forse, in una geografia sonora che parte da Cecil Taylor e attraversa le gigantesche ombre di Anthony Braxton e Henry Threadgill. Ma, velocemente, sta atterrando in un pianeta sonoro totalmente proprio, come dimostra questo doppio ...

9
Album Review

Anna Webber: Idiom

Read "Idiom" reviewed by Hrayr Attarian


Award winning composer, saxophonist and flautist Anna Webber is a restless innovator and musical individualist. Her ninth release as a leader, the sublime and magnificent two-disc Idiom is an ambitious project which Webber pulls off brilliantly and with elegance. Five compositions from the “Idiom" series are represented here. Four are in a sparse trio setting while “Idiom VI," which fills the entire second disc, is with a large ensemble. Another one, “Idiom II," (not included here) appeared on Webber's Clockwise ...

7
Album Review

Ocelot: Ocelot

Read "Ocelot" reviewed by Jerome Wilson


Ocelot is a trio of saxophonist Yuma Uesaka, pianist Cat Toren and drummer Colin Hinton that breaks away from the usual jazz sensibilities, playing music that unwinds laterally and slowly. The individual tracks on their CD may exist in a constant state of quiet contemplation or work up to a grand climax but they all give off a sense of close listening and communication between the three musicians. Several of the tracks stay quiet but intense for most ...

8
Album Review

Anna Webber: Idiom

Read "Idiom" reviewed by Mark Corroto


Is Idiom, from composer, saxophonist, and flutist Anna Webber, new classical music or jazz? Yes. Is the music scored or improvised? Again, yes. Last question: Is it demanding or easy on the ears? Both. On the heels of two stellar releases, the septet Clockwise (Pi Recordings, 2019) and the Webber/Morris Big Band recording Both Are True (Greenleaf Music, 2020), Webber was commissioned to present Idiom VI at John Zorn's Stone series. She expanded the material from one track heard on ...

2
Album Review

Yuma Uesaka and Marilyn Crispell: Streams

Read "Streams" reviewed by John Sharpe


Reedman Yuma Uesaka enlists storied pianist Marilyn Crispell to realize a splendid program of his charts on Streams. Uesaka, who was born in London and spent his early childhood in Japan, before growing up in Michigan, is making a name for himself as part of a rising generation of New York-based improvisers. While not his leadership debut, (he issued an EP on graduating in 2015), this represents a serious statement of intent. He can be heard in saxophonist ...


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