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Jazz Articles about Pat Mastelotto
Tu-Ner: T1-Contact Information
by Geno Thackara
After so many years crossing paths in the realm of experimental-industrial-groove-jazz-rock weirdness, it would have been more surprising if these three did not all join forces at some point. Pat Mastelotto and Trey Gunn build on a decades-long history in multiple King Crimson rhythm sections as well as their own duo called TU. Touch guitarist Markus Reuter plays with Mastelotto in the trio Stick Men as well as in their own duo called TUNER. (Gunn and Reuter have also performed ...
read moreMata Atlantica: Retiro e Ritmo
by Mark Sullivan
Retiro e Ritmo is a love letter to Mata Atlântica, the coastal rain forest of Brazil, and a call to help preserve and protect this beautiful habitat. The music supports that goal not by quoting or referencing Brazilian music directly, but by building a complex musical ecosystem that evokes it, obliquely creating a sense of place. The album is the brainchild of co-producer Mathias Derer, motivated by a 2017 Brazilian visit. Although he does not perform, he composed ...
read moreMata Atlantica: Retiro e Ritmo
by John Ephland
The coastal rainforest of Brazil, otherwise known as Mata Atlantica, and “its beauty and vivacity" are the inspiration for Retiro e Ritmo. It is an album frontloaded with a varied cast of characters from hither and yon. Maybe that casting is behind a project seeking to draw worldwide attention to the ongoing shit-storm that includes not only the Amazon but the whole planet. Retiro e Ritmo is deceptive, calling attention to a source of worldwide calamity all the ...
read moreStick Men: Tentacles
by Dan McClenaghan
In the early 1960s, before every teenage rock band wanted to be the Beatles, many of them (especially in Southern California) wanted to be the Chantays (1963's “Pipeline"), The Surfaris' ("Wipeout" and “Point Panic," both from 1963) or Dick Dale and the Deltones ("Miserlou," 1962). Those days were the short-lived peak of surf rock, and it was big. All of those mentioned tunes hit the pop record charts, something that became rare for instrumental music thereafter. For some, these succinct, ...
read moreKing Crimson: Music is Our Friend: Live In Washington and Albany, 2021
by John Kelman
You probably know the old adage about assumptions. After seeing the current (slightly fluid) King Crimson lineup twice every time the perennially groundbreaking group made it to North American shores since 2014, with no Canadian dates available in 2021 and the COVID Delta variant running rampant across the United States, the decision was made to forego traveling south to the USA to catch the band. After all, with the band touring, for the first time, on double bills with the ...
read moreHeaven & Earth: Live and in the Studio 1997-2008
by John Kelman
Yet another year, yet another characteristically detailed and chronologically contextualized King Crimson mega-box set. Except that 2019 is no typical year. And Heaven & Earth is no typical King Crimson box set. While Heaven & Earth: Live and in the Studio 1997-2008 completes (well, almost) the series of box sets documenting King Crimson's original commercial recordings (and so much more), it's far from the group's first (or only) release to go along with the current three-drummer ...
read moreKTU: Quiver
by John Kelman
There's often considerable difference between live and studio recording, where the facility's greater capacity for control and manipulation can almost become an additional band member. Still, for some the difference is a subtle one. In the case of KTU--a collective that began with half of King Crimson (Warr guitarist Trey Gunn and traps/button man Pat Mastelotto) working together as TU, accordionist Kimo Pohjonen and sampler Samuli Kosminen (both Finns)--there's a world of a difference. The group's debut, 8 Armed Monkey ...
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