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Jazz Articles about Pete Christlieb

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Liner Notes

Hadley Caliman / Pete Christlieb: Reunion

Read "Hadley Caliman / Pete Christlieb: Reunion" reviewed by Thomas Conrad


At the end of the first decade of the new millennium, one of the most gratifying developments in jazz is the late blossoming of Hadley Caliman. In 2008, at 76, he released Gratitude, his first recording as a leader in 31 years. It was followed in 2010 by Straight Ahead. They created a buzz on the jazz street. It is not just that he has lasted long enough to finally get the attention he deserves. Hadley Caliman is currently playing ...

2
Album Review

Scott Whitfield & Friends: A Bi-Coastal Christmas

Read "A Bi-Coastal Christmas" reviewed by Jack Bowers


If trombonist Scott Whitfield's A Bi-Coastal Christmas cannot quicken your inner holiday spirit, that will not be for lack of trying. Whitfield uses every ribbon in the packet and every tool in the shed to help make the season bright, from big band to quintet, from duo to solo (Whitfield's trombone all by itself). Two of the selections were recorded in 2004, four others in 2005, whereas Whitfield's brace of solo tracks was taped in 2020 as he cast off ...

6
Live Review

Pete Christlieb Quintet, "Santa’s Bones" at Phoenix Musicians Hall

Read "Pete Christlieb Quintet, "Santa’s Bones" at  Phoenix Musicians Hall" reviewed by Patricia Myers


Pete Christlieb, “Santa's Bones" Musicians Hall, Phoenix Musicians Union, Local 586 AFM Phoenix, AZ November 30 and December 2, 2014 Concerts by tenor saxophonist Pete Christlieb and a trombone ensemble called “Santa's Bones" were presented as part of on ongoing series at the Musicians Hall of the Phoenix Musicians Union, Local 586 AFM. jny: Los Angeles-based Christlieb is a longtime big-band and studio musician who played 20 years in “Johnny Carson's Tonight Show" ...

216
Album Review

Hadley Caliman and Pete Christlieb: Reunion

Read "Reunion" reviewed by C. Michael Bailey


Both Hadley Caliman and Pete Christlieb were active on Los Angeles jazz scene going on 50 years ago, and the two tenor saxophonists actually performed together at the time. Real life got in the way, guiding each man in his allotted direction. Origin Records' house pianist (and All About Jazz Contributor) Bill Anschell brought the two together for Reunion, composing a good old fashioned cooker to open the disc. “Little Dex" (after Dexter Gordon) is thus titled ...

380
Album Review

Hadley Caliman / Pete Christlieb: Reunion

Read "Reunion" reviewed by Dan McClenaghan


Reunion showcases a couple of old saxophone pros diving deep into the jazz mainstream, backed by an energized rhythm section. Tenor men Hadley Caliman and Pete Christlieb worked together on the Los Angeles Central Avenue jazz scene back in the 1960s, at a club called Marty's, where Caliman was the mentor. Forty-plus years later, they're back together again, on an absolute jewel of a straight-ahead offering.Caliman's recording career went dormant for thirty years--a drug problem, jail time, rehabilitation, ...

284
Album Review

Pete Christlieb with the Lori Mechem Quartet: Live at the Jazz Cave

Read "Live at the Jazz Cave" reviewed by Jack Bowers


I fell head-over-heels in love with the tenor saxophone the first time I heard Zoot Sims play one, and my heart (thank goodness) has never quite recovered from the impact. These days I have two tenors of choice, one on each coast--Eric Alexander in the east, Pete Christlieb way out west. And the strange part is, about the only thing they have in common is that they both play the same horn. Alexander is a hard-line, straight-ahead, no-nonsense swinger from ...

203
Album Review

Pete Christlieb/Warne Marsh Quintet: Apogee

Read "Apogee" reviewed by Chris M. Slawecki


Apogee plays in a hard-bop format you almost never hear any more: saxophonists Marsh and Christleib screaming twin tenors in a quintet with piano (Lou Levy), bass (Jim Hughart) and drums (Nick Ceroli), immensely aided by several loose yet tight arrangements by Joe Roccisano. Of course, you almost never heard this format when Apogee was originally released in 1978, either.

Christleib “worked the saxophone” in “Deacon Blues” for Steely Dan on its pop breakthrough, Aja ; co-leaders Walter ...


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