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Jazz Articles about Stephen Riley

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Liner Notes

Adam Shulman Septet: West Meets East

Read "Adam Shulman Septet: West Meets East" reviewed by C. Andrew Hovan


Quiet as it's kept, too many of today's finest jazz artists are given short shrift by an industry that seems to value product of a fleeting nature over true craft and a reverence for the jazz legacy. This makes it particularly challenging for a talent like Adam Shulman to break through to a wider audience. A fixture on the Bay Area scene since 2002, the pianist has a knack for accompanying singers such as Paula West and often performs as ...

5
Album Review

Adam Shulman Septet: West Meets East

Read "West Meets East" reviewed by Jack Bowers


The “west" here is represented by San Francisco-based pianist and group leader Adam Shulman, the “east" by the other half-dozen members of Shulman's impressive septet. Even though the reasons that led to the alliance are ambiguous, what matters is the payoff, and that is more than admirable from any vantage point. As if to mirror the ensemble's six-and-one makeup, Shulman wrote six of the album's seven engaging numbers; the seventh (the rapid-fire “Whose Blues") was composed by ...

4
Album Review

Stephen Riley: Hart-beat

Read "Hart-beat" reviewed by Greg Simmons


The tenor saxophone trio is one of the great, if somewhat underutilized lineups in jazz. Stephen Riley has made a study of the format and delivers a fine addition to a limited canon with Hart-beat. Eschewing piano and leaving the horn to carry the musical weight all by itself is an idea that was recorded by the great Sonny Rollins as early as Way Out West (Contemporary, 1957). That record set a very high standard that is rarely ...


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