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Loren Schoenberg and His Jazz Orchestra: So Many Memories
by Jack Bowers
Jazz polymath Loren Schoenberg reverses the hands of time on So Many Memories, unveiling sixteen never-before- recorded charts written by the renowned melodist Eddie Sauter in the late 1930s for the Red Norvo-Mildred Bailey Orchestra. To paint his canvas, Schoenberg enlisted students and recent graduates of New York's Juilliard School of Music to be his orchestra, with guest artist Warren Wolf sitting in on xylophone for Norvo, the jazz world's acknowledged master of that instrument before he moved later in ...
Continue ReadingLionel Hampton, Terry Gibbs, Bobby Hutcherson & Warren Wolf
by Joe Dimino
On this special Christmas Day episode of Neon Jazz, we're unwrapping an hour dedicated to the true masters of the vibraphone--those incredible artists who made this instrument sing like no other. This celebration was sparked by an unforgettable performance by the brilliant Warren Wolf at The Blue Room, nestled in the historic 18th and Vine district of Kansas City, MO. We kick things off with Warren Wolf's Saturn's Child" from his 2024 masterpiece History of the Vibraphone. From there, the ...
Continue ReadingChristian Sands: Embracing Dawn
by Mike Jurkovic
Way back in the mottled history of the 1950s and '60s, record biz guys in sharkskin might kick down a DJ's door and bark: You gotta to hear this single!" But who truly listens to and what exactly is a single these days? Add in the disturbing though elusive truth that any single can take any physical or temporal shape and the evidence just points to one thing: First impressions have doomed many a pundit. If ...
Continue ReadingWarren Wolf: History Of The Vibraphone
by Pierre Giroux
The History of the Vibraphone is a tour de horizon" of the instrument and an exploration of its evolution in jazz. Joining Wolf in this meticulous selection of pieces from legendary jazz artists are long-time bandmates saxophonist Tim Green, pianist Alex Brown, bassist Vicente Archerand drummer Carroll Dashiell III. Accordingly, Wolf has crafted a collection that celebrates his virtuosic vibraphone skills and honours those who have paved the way for modern players. The opening track is ...
Continue ReadingFunkwrench Blues: Soundtrack For A Film Without Pictures
by Chris May
Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. But all that was a long time ago in a galaxy far, far away. In the 2020s, if you want to hear a freshly ...
Continue ReadingAaron Seeber: First Move
by Troy Dostert
Given that it is his debut disc, drummer Aaron Seeber's First Move seems aptly titled. The music it offers is anything but an opening gambit, however; even after a cursory listen, it is quickly apparent that Seeber has been at this game for some time. From the top-shelf caliber of his associates, to his unfailing poise behind the kit, not to mention some great instincts for repertoire, Seeber has more than a few moves up his sleeve, and they always ...
Continue ReadingChristian McBride: Live at the Village Vanguard
by Edward Blanco
Bassist Christian McBride records his first live album with his highly-acclaimed quintet known as the Inside Straight, documenting an incredible evening of music on Live At The Village Vanguard. The album showcases outstanding performances from every member of the band. It is McBride's twelfth release on Mack Avenue and it was the Inside Straight quintet that began the bassist's collaboration with Mack Avenue in 2009. After a week-long sold-out debut appearance by the group at New York's jazz club in ...
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