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by Gordon Marshall
George Cartwright can't be forgotten. The triple sax threat is part of the archaeology of modern New York. The downtown scene, just like New Orleans or 52 Street, has its mythology, and, as much as John Zorn, Cartwright figures in that, having come to the city fresh out of The Creative Music Studio in Woodstock, New York in the late 1970s, bringing with him his trio featuring the equally crucial percussionist David Moss and reed player Michael Lytle.read more
by Glenn Astarita
Saxophonist George Cartwright's prominence in the development of New York City's downtown scene, and lengthy affiliation with the cutting-edge progressive, jazz-rock unit Curlew, spawn an imprint of musical authenticity. Cartwright surges forward with this 2008, quartet-based effort recorded at The Cedar Cultural Center and The Walker Art Center's festival in Minneapolis, Minnesota, where the Mississippi-born artist takes up residence these days.
Raw, wild and often captivating, the quartet also injects a prominent fun-factor into the program. At times, ...read more
by Frank Rubolino
Deep, husky, sonic vapors rise from the tenor of George Cartwright as he connects with bassist Adam Linz and drummer Alden Ikeda for an extended romp into the unbridled world of free improvisation. Cartwright suggests the strange presence of warmth through his full and robust tonality; he lassoes a surging bull and purposefully proceeds to lay down an ultra-plush carpet of sound having a meaty core; yet, his fiery expulsions project the semblance of melodiousness devoid of cacophony often heard ...read more
by Glenn Astarita
Saxophonist/composer George Cartwright’s musical heritage or persona may represent somewhat of an anomaly. Born and reared in blues-orientated Mississippi, Cartwright went on to study with the likes of notable modern jazz icons such as, Anthony Braxton, Oliver Lake, Wadada Leo Smith and others while subsequently reeking havoc on the New York Downtown scene by forming the jazz/prog-rock/improvising band, “Curlew”. During the late 70’s, early 80’s Cartwright entrenched himself among New York City’s “downtown movement” rank and file while demonstrating his ...read more