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Jazz Articles about Natalie Cressman

8
Album Review

Dani Gurgel: DDG19 Big Band

Read "DDG19 Big Band" reviewed by Katchie Cartwright


Dani Gurgel was born into a musical family in jny:São Paulo. Her mother Débora Gurgel (a busy pianist and arranger) and father (an amateur jazz saxophonist) met on the bandstand. Following her own musical path, Dani skirted gender biases in jazz culture that might have limited her opportunities by learning to do and play “everything," as she put it. She is quick to point out that things are “getting better," but hedged her bets by gaining proficiency in many instruments, ...

4
Album Review

Natalie Cressman & Ian Faquini: Guinga

Read "Guinga" reviewed by Dan Bilawsky


Brazilian guitarist-composer Guinga is something of a legendary figure. A polyglot performer associated with música popular brasileira's all-encompassing ethos, he's made his name fusing the contemporary and folkloric strains of his homeland with classical, jazz, rock and pop stylings. His influence looms large in that particular niche of the music world--and, honestly, beyond--and he receives his flowers on this warm tribute from trombonist Natalie Cressman and guitarist Ian Faquini. This unique duo, which made an instantly positive ...

33
Album Review

Remy Le Boeuf: Architecture of Storms

Read "Architecture of Storms" reviewed by Jack Bowers


It's hard to become bored or complacent when listening to Architecture of Storms, alto saxophonist Remy Le Boeuf's second album as leader of the twenty-member Assembly of Shadows orchestra. Every song is quite different from the others, and every one has its moments of shapeliness and charm. Le Boeuf arranged every number and composed all but Justin Vernon's “Minnesota, WI" and the album's nameplate, which he co-wrote with poet Sara Pirkle, he asserts, “on a brooding stormy ...

3
Radio & Podcasts

Mostly Newer Music Plus Some Older Tunes

Read "Mostly Newer Music Plus Some Older Tunes" reviewed by Jerome Wilson


This show has a lot of music released in the early part of 2022 plus a few older tracks. Trombones, flutes and vocals are featured. Artists heard on the show include Natalie Cressman & Ian Faquini, Bobby Zankel, Gordon Grdina, Roswell Rudd, Emile Parisien and the Scott Silbert Big Band.Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Emile Parisien “Memento, Part ...

3
Radio & Podcasts

Early Spring Releases from Brandee Younger, Yvonne Flores, Kristen Lee Sergeant and duo Natalie Cressman & Ian Faquini

Read "Early Spring Releases from Brandee Younger, Yvonne Flores, Kristen Lee Sergeant and duo Natalie Cressman & Ian Faquini" reviewed by Mary Foster Conklin


This broadcast presents new releases from vocalists Yvonne Flores, Kristen Lee Sergeant, harpist Brandee Younger plus a single from duo Natalie Cressman]] & {{Ian Faquini (offering a prayer to Oxum, goddess of rivers, waterfalls and fresh water) with birthday shoutouts to Ida Cox, Mayu Saeki, Melissa Manchester, Sara Caswell, Carmen Sandim, Roseanna Vitro and Claire Daly, among others. Thanks for listening and please support the artists you hear by purchasing their music during this time of pandemic so they can ...

Album Review

Remy Le Boeuf's Assembly of Shadows: Architecture of Storms

Read "Architecture of Storms" reviewed by Angelo Leonardi


Remy Le Boeuf è uno dei nomi emergenti nell'ambito dell'arrangiamento e della conduzione orchestrale. Dopo il sorprendente Assembly of Shadows del 2019, il sassofonista e bandleader californiano (a New York dal 2004) torna con la sua orchestra irrobustita nel numero e nella qualità dei singoli componenti. Tra i nuovi ingressi troviamo in particolare il trombettista Mike Rodriguez e il sassofonista Dayna Stephens, che caratterizzano un paio di brani, anche se il lavoro di Le Boeuf è prettamente ...

2
Album Review

Jacob Garchik: Clear Line

Read "Clear Line" reviewed by Dan Bilawsky


As strange as it may sound, sometimes the best way to break free is to simply box yourself in. Limitations obviously cut off certain possibilities entirely, but they open the mind to so many others in the process. Composer (and trombonist) Jacob Garchik has long subscribed to that line of thinking and he takes it to bold heights on this, the most original, least derivative big band recording to arrive in ages. Basically throwing out the rule ...


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