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by Peter Jones
Tord Gustavsen's first three piano trio albums sold in unimaginable quantities, made him an unlikely star in his native Norway, and established him internationally. He became the living embodiment of the ECM soundquiet, contemplative, solemn, spacious. In fact, so spacious, that at gigs one would sometimes wait a seeming eternity for the arrival of the next tinkling arpeggio, the next scrape of a fingernail across the snare drum, or growling bass slide. Minimalist it most certainly is, but putting this ...
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by David Bruggink
In spiritual parlance, the other side" often refers to a realm beyond death. Tord Gustavsen is no stranger to integrating music to religious practice, performing frequent Musikkmeditasjon" concerts in Norwegian churches. It would be reductive, however, to describe his music in New Age terms. Gustavsen is a master composer and improviser, and The Other Side is introspective music performed with sublime subtlety, always keeping one eye trained on the avant-garde. This marks Gustavsen's first trio recording since Being ...
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by Neri Pollastri
Undici anni dopo Being There il pianista norvegese Tord Gustavsen torna a registrare in trio, formazione che aveva preferito non affrontare più dopo la scomparsa di Harald Johnson, il contrabbassista che lo aveva sempre accompagnato assieme al batterista Jarle Vespestad. Adesso, con l'ingresso di Sigurd Hole, Gustavsen si riavvicina alla forma che l'aveva lanciato e lo fa da un lato riprendendo il filo di un discorso lirico e legato alla musica popolare della sua terra, così come in passato, dall'altro ...
read moreTord Gustavsen Trio: The Ground
by Eric J. Iannelli
ECM considers pianist Tord Gustavsen to be the least Nordic" of the several Norwegian artists on its roster. This is because his compositions, while typically pensive and austere, have also endeavored to incorporate the deepest roots of jazz in Afro-American blues and gospel. Musical and philosophical sophistication commingles with raw emotion and lyrical melodies, creating a sound that is at once cerebral, spiritual, and visceral.
The style that he and his longtime (relatively speaking, as Gustavsen is only 35) trio ...
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by AAJ Staff
Norwegian pianist Tord Gustavsen became something of a rock star in his own country after Changing Places (ECM, 2003) came out two years ago. The fact that a jazz record--particularly such a mellow, understated one--could rise above a mess of mass-market pop came as a surprise to just about everyone involved, but I guess it's a sign that the Norwegians have pretty good taste in music after all. The rest of the world caught on a little more slowly, but ...
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