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Kenny Garrett: Sketches of MD: Live at The Iridium
by John Kelman
Kenny Garrett continues his relationship with tenor legend Pharoah Sanders from Beyond the Wall (Nonesuch, 2006), but ditches some of the gravitas for Sketches of MD: Live at the Iridium. An album of unabashed blowing and multiplicity of stylistic references, it's the closest Garrett has come to his seminal Standard of Language (Warner Bros., 2003). Were it not for one misstep, it would be the closest thing to perfect that Garrett has released. “The Ring" kicks the album ...
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by Greg Thomas
Kenny Garrett continues his mélange of modal exploration with Sketches of MD: Live at The Iridium. The recording is a sequel to Beyond the Wall, Garrett’s early collaboration with Pharoah Sanders, and is a snapshot of his progression.The opening number, “The Ring,” starts with a dramatic theme stated by the alto-tenor front line. Garrett and Sanders traverse late-Trane territory in their improvisations yet they rarely scale the heights of propulsion or evoke their earlier spiritual majesty.
read moreKenny Garrett: Sketches of MD: Live At The Iridium
by Mark F. Turner
Alto saxophonist Kenny Garrett gives listeners a kaleidoscopic view of his music in this fun live recording. A post-bop saxophonist who performed with Miles Davis during the trumpeter's later fusion/funk years, Garrett has since gone on to make his own name as one of the fiercest players around. In spite of what labels/critics may have desired, he's paving his own multi-colored-brick road. This has included African Exchange Student (Atlantic, 1990), the contemporary jazz friendly Happy People (Warner Brothers, 2002), and ...
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