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Awerejê
Tulio Araujo
Label: Blue Cave Records
Released: 2023
Views: 383
Tracks
Ka'Aguy (Abertura); Cherokee (Ft. Larissa Umaytá); Milestones; Body And Soul (Ft. Evan Megaro & Yan Vasconcelos); My Favorite Things; Equinox; Actual Proof (Ft. Berimbaucomtudo, Mariah Carneiro & Jorge Continentino); Spain (Para Chick); Pykui (Encerramento).
Personnel
Tulio Araujo
pandeiroFelipe Vilas Boas
guitarDeangelo Silva
pianoBruno Vellozo
bassJorge Continentino
fluteMariah Carneiro
vocalsBerimbaucomtudo
percussionLarissa Umaytá
percussionEvan Megaro
pianoYan Vasconcelos
bass, acousticAlbum Description
Awerejê is a Brazilian indigenous word from Tupi Guarani language branch that means fusion, blending. No
other concept
would be more perfect to illustrate what you can listen in all nine tracks that, with bold arrangements, renews
compositions by masters such as Ray Noble, Miles Davis, Johnny Green, Richard Rogers, John Coltrane, Herbie
Hancock
and Chick Corea. Since Scott Feiner’s tragic death, Tulio started to wonder the depth of the term “Pandeiro
Jazz”, created
by him.
“It’s interesting to notice that both of us spent our careers developing the idea of adding the Pandeiro to the
Jazz
environment, but we actually didn’t record Jazz standards. When somebody ask me what is my music or what
do exactly I
do, I always find myself struggling to explain the concept of it. So I felt that this is the right time to fix that gap.
People in
Brazil don’t quite understand what is Jazz, even if my originals has all the aspects of modern Jazz, full of
improvisations,
they would still not quite understand where the “Jazz” is, since they connect the term to a specific repertoire.”,
says Araujo.
Driven by these thoughts, Tulio started to gather some of his favorite standards that could summarize this idea
of making
Pandeiro fit in Jazz. “The most important aspect of this álbum is that I didn’t try to transcribe or mimic the
drums, but to
adapt the core or the rhythms. To make it work, I dove into some kind of a reverse engineering, restoring the
African
origins, making an important connection with Brazilian history too, since we are made of the same cultural
mixture:
Africans, Indigenous and Europeans.”, he adds. The order of the tracks suggests a chronological journey,
starting with the
first compositions from 1930’s, passing by the 40’s Bebop and ending on the 70’s and 80’s modernity.
Tulio assembled a special team for this project. The arrangements were written by his old friends and
colleagues, Felipe
Vilas Boas and Deangelo Silva, who also recorded guitars, pianos and synths. Later, Bruno Vellozo, Yan
Vasconcelos,
Mariah Carneiro, Jorge Continentino, Evan Megaro, Larissa Umaytá and Henrique Azul joined the team. The
cover artwork
was made by the talented designer Senegâmbia and the album was released by the Brazilian label Blue Cave
Records.
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Album uploaded by Michael Ricci