All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Renowned Swiss drummer Pierre Favre imparts his kaleidoscopic tonal palette into these intricately exercised and probing duets with fellow countryman, guitarist Philipp Schaufelberger. The musicians cover a gamut of twists, turns and subtle theme building maneuvers, including airy environs and an abundance of tradeoffs. Moreover, Favre balances out the set with structured patterns and asymmetrical rhythms in concert with his melodic fills.
"Seeing" presents an ambient vista, with Favre's delicate drumming and soft cymbal hits offering a solemn underpinning to Schaufelberger's gentle plucking, flickering notes and echo-laden treatments. They project a blissful state that may intimate a waiting period before entering a solemn kingdom. Capacious by design, the duo paints a stark, yet unhurried soundscape, while quietly raising the tension meter throughout.
Lucid imagery abounds on this irrefutably diverse program, set forth by two masters aligning their musical spirits into a cohesive entity. Communication via improvisation and ardently fabricated dialogues cast a persuasive edge.
Personnel: Philipp Schaufelberger: guitar; Pierre Favre: drums.
I love jazz because it is a pure American music and can be expressed in different ways depending upon the artist.
I was first exposed to jazz while as a teenager I listened to Duke Ellington, Benny Goodman, and Louis Armstrong, on a jazz
radio station in New York City.