2

Various Artists: 13 Miniatures for Albert Ayler

John Sharpe By

Sign in to view read count
Tributes come in many forms. Most blatant is the repertory regurgitation of charts associated with the dedicatee or modern takes on that program. Then comes homage, influenced by the historical figure in question, with works in a contemporaneous style. Finally, there appears art inspired by the spirit of the honoree. It is into this last division that this disc falls, with 13 pieces titled after the names of the musicians, created by between one and five participants drawn from a cast of sixteen. None of them sound remotely like saxophonist Albert Ayler, the touchstone of the project, though each of the players undoubtedly operates in a post-Ayler universe in terms of sonic norms. The collection represents selections from a concert held to mark the fortieth anniversary of Ayler's death at Fondation Cartier in Paris, in December 2010.

While brevity can be a virtue in improvised music—witness pianist Matthew Shipp's series of successful albums, on both Hatology and Thirsty Ear, composed entirely of short tracks—the constantly shifting roster here militates against approaching each piece as a building block in the creation of an integrated suite. Consequently few tracks register with sufficient heft to persist in the memory. Of those that do, two are trios. "Ramon Lopez, Barre Phillips, Michel Portal" takes its time and is all the better for it, with Phillips purposeful and taut, while on "Jean-Jacques Avenel, Simon Goubert, Joe McPhee," familiarity means that it is possible to quickly get a fix on McPhee's combination of dissonant skronk and impassioned melodicism. But at three minutes it is just too brief. Not unexpectedly, "Evan Parker" showcases the Englishman's circular breathing which draws forth a panoply of voices from his tenor, recalling a possessed medium channeling ancestors at a séance, in a totally sui generis exhibition which again ends prematurely.

Four cuts featuring voice are mixed. The opener, "Jacqueline Caux," is a reading of an essay on Ayler by her late husband, while "Joëlle Léandre, Urs Leimgruber, John Tchicai" initially features great resonance from the Dane's alto saxophone and Leandre's formidable bass, with the Swiss yapping at their heels, but the synergy becomes less convincing as they commence a wordless chant. "Joëlle Léandre, Urs Leimgruber, Lucia Recio" mines similar territory, although the vocals are more restrained. Most fruitful is the recitation of a poem by New York poet Steve Dalachinsky, incorporating the words of Albert and Donald Ayler, over the bass extremisms of Phillips and Leandre.

However it is the concluding "Joe McPhee" which provides the most touching commemoration of Ayler's legacy, beginning with almost subliminal breath sounds before flowering in a delicate vulnerable quavering rendition of the saxophonist's 1970s composition "Voices," which takes on an emotionally charged dimension as the American blends his voice with wide vibrato smears. His directness and visceral intensity combine in a beautiful meditation worthy of Ayler in his prime.

Track Listing: Jacqueline Caux; Raphaël Imbert, Urs Leimgruber, Joe McPhee, Evan Parker, John Tchicai; Jean-Luc Cappozzo, Sylvain Kassap, Christian Rollet; Steve Dalachinsky, Joëlle Léandre, Barre Phillips; Ramon Lopez; Ramon Lopez, Barre Phillips, Michel Portal; Jean-Jacques Avenel, Simon Goubert, Joe McPhee; Jean-Luc Cappozzo, Joe McPhee; Evan Parker; Joëlle Léandre, Urs Leimgruber, John Tchicai; Simon Goubert, Raphaël Imbert, Sylvain Kassap, Didier Levallet; Joëlle Léandre, Urs Leimgruber, Lucia Recio; Joe McPhee.

Personnel: Jean-Jacques Avenel: bass (7); Jacqueline Caux: voice (1); Jean-Luc Cappozzo: trumpet, flugelhorn (3, 8); Steve Dalachinsky: spoken word (4); Simon Goubert: drums (7, 11); Raphaël Imbert: saxophones (2, 11); Sylvain Kassap: clarinets (3, 11); Joëlle Léandre: bass, voice (4, 10, 12); Urs Leimgruber: soprano saxophone (2, 10, 12); Didier Levallet: bass (11); Ramon Lopez: drums (5, 6); Joe Mcphee: tenor saxophone (2, 7, 13), flugelhorn (8); Evan Parker: saxophones (2, 9); Barre Phillips: bass (4, 6); Michel Portal: bass clarinet (6); Lucia Recio: voice (12); Christian Rollet: drums (3); John Tchicai: alto saxophone, voice (2, 10).

Title: 13 Miniatures for Albert Ayler | Year Released: 2012 | Record Label: Rogue Art

Tags

comments powered by Disqus

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Sleepers Wake

Sleepers Wake

Various Artists
Snowfall

Winter Waltz

Winter Waltz

Various Artists
Winter: An Origin Records...

Album Reviews
Read more articles
The Social Power of Music

The Social Power of...

Smithsonian Folkways Recordings
2019

buy
Sunny Side Up

Sunny Side Up

Brownswood Recordings
2019

buy
Jazz Fest: The New Orleans Jazz & Heritage Festival

Jazz Fest: The New...

Smithsonian Folkways Recordings
2019

buy
La Casa Murada MoonJune Sessions, Volume 1

La Casa Murada...

MoonJune Records
2019

buy
Spiritual Jazz 9: Blue Notes Parts 1 & 2

Spiritual Jazz 9:...

Jazzman Records
2019

buy

Related Articles

Read Time Gone Out Album Reviews
Time Gone Out
By Troy Dostert
July 24, 2019
Read First Nature Album Reviews
First Nature
By Mark Corroto
July 24, 2019
Read Leap of Faith Album Reviews
Leap of Faith
By Friedrich Kunzmann
July 24, 2019
Read Crepuscule In Nickelsdorf  Album Reviews
Crepuscule In Nickelsdorf 
By Glenn Astarita
July 24, 2019
Read Czech Wishes Album Reviews
Czech Wishes
By Troy Dostert
July 23, 2019
Read More Arriving Album Reviews
More Arriving
By Gareth Thompson
July 23, 2019
Read Wschod Album Reviews
Wschod
By Don Phipps
July 23, 2019