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The Mary Lou Williams Collective, an arm of the Mary Lou Williams Foundation, Inc., is devoted to the recording and performance of the music of the pianist and composer. Williams dedicated her Zodiac Suite to figures she respected, including Billie Holiday, Ben Webster, Duke Ellington, Ellis Larkins, Vic Dickenson, Leonard Feather, Dizzy Gillespie, Art Tatum, Bud Powell, Thelonious Monk, Eddie Heywood, Bob Cranshaw, Frankie Newton, and President Franklin Delano Roosevelt.
Pianist Geri Allen interprets each movement from the Zodiac Suite with fiery passion and a relaxed swing that lifts you up out of your chair. The straight-ahead drive of bop powers each selection with authority, as Allen, bassist Buster Williams and drummer Billy Hart stretch out with a relaxed feel for what Williams had envisioned. As with the original, several of the movements are performed by solo piano.
Geri Allen pushes the envelope often. On "Scorpio, for example, she drives the exotic melody at an unhurried pace through lyrical landscapes. Swinging gently and rolling with the waves of tradition, she lets the music ooze gracefully through her fingers. Bass and drums share in her heartfelt interpretation with remarkably well-defined roles. But Allen is never satisfied with mere reflection. She creates a swirling storm of passion that drives the piece powerfully toward its resolution.
Allen's "Thank You Madam emphasizes the eclectic approach to modern jazz that Mary Lou Williams espoused. Free to explore new territory, she gave us a treasury of great music. Allen's composition moves stalwartly over hallowed ground as a fitting tribute. Highly recommended, Zodiac Suite: Revisited combines traditional elements from jazz history with the kind of progressive energy that has always followed great artists.
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me
I grew up listening to mainstream '70s rock then ended up on the staff at the college paper at San Diego State, and volunteered to review heavy metal LPs. My second semester, the music editor dropped a Fenton Robinson LP on my desk, Night Flight. You like metal; they play guitar--he plays guitar, the editor told me. If we don't run a review, Alligator Records is going to stop servicing us.
Night Flight opened up a whole new world for me--the blues led me, inevitably, to Basie, who led to Duke, who led to Mingus, who led to Miles, who led to ...