All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Von Hier Nach Dort is Heniu's debut album; a light, almost ethereal, collection of tunes that draws strongly on jazz but also incorporates influences from folk, classical and ambient genres. The result is a pleasingly fresh and accessible recording, with a positive and unpretentious vibe.
Hans Arnold composed all of the tunes on Von Hier Nach Dort and it's his Wurlitzer piano that provides this Berlin-based trio's unique selling point: a warm, organic sound that falls between the sounds of the acoustic piano and the sharper, electric tones of the Fender Rhodes. Bassist Sebastian Liedkewhose self-produced To Walk In The Past was one of 2010's finest debutsand drummer Julius Heise are the perfect rhythm section for this lead instrument. They both play with style but with enough control to avoid overwhelming the keyboard's pleasing but rather unassertive tone.
Arnold's tunes are strong on melody: thoughtful, even meditative, compositions with an underlying spirit of optimism and the occasional foray into more up-tempo territory. "A Farewell" and "Retrospect" are two of the prettiestlaidback, relaxed pieces underpinned by Heise's loose brush work. "Warten Auf Schnee;" which Liedke opens with a rich, gently funky bass line has the most insistent groove. There's a hint of melancholy on "Kissenberg," thanks to Liedke's arco bass, but this is balanced out by the uncharacteristic urgency and drive of the opening to "Berlin Phone Call" and the joyous dash of "Kaffee und Kuchen."
The music on Von Hier Nach Dort is gentle, with an almost childlike sense of innocence and fun. Like strawberries, cream and white wine on a warm summer's day, this album is a quiet pleasure that delivers plenty and promises more for the future.
Track Listing: Heimwärts; A Farewell; Berlin Phone Call; Warten Auf Schnee; Kissenburg; In Retrospect; Späte Stunde; Der Lauf Der Dinge; Kaffee und Kuchen; Immergrün; Smell Of Hay; Undenlich Weit.
Personnel: Hans Arnold: Wurlitzer piano; Sebastian Liedke: double bass; Julius Heise: drums.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.