Portland, Oregon-based vocalist/bassist Belinda Underwood opens her debut with Mel Torme's "Born To Be Blue," employing a vocal style that seems a curious mixture of coy guilelessness and sultry sensuality. Not bad for someone who started as an instrumentalistbass, violin, baritone ukulele, piano, harpand then started singing late in the game because she couldn't make her bass play the sounds she was thinking, forcing her resort to her voice.
Underwood Uncurling features six of Underwood's own compositions, the highlight perhaps the title tune, which has a very Joni Mitchell vibe. She also tackles a couple of familiar standardsIrving Berlin's "How Deep Is The Ocean," featuring some marvelous phrasing in front of a vibrant arrangement; and "You Don't Know What Love Is," a loving nod to Billie Holiday infused with Underwood's own style.
Underwood is a talented lady. The mix of standards and originals here, played with understated but tasteful accompaniment, makes for an engaging listen in the singer/songwriter categoryleaning toward jazz on the standards and looking in the pop/songstress direction (Joni Mitchell style) on her originals. "Invitation" (B.F. Kaper/P.F. Webster), featuring a backdrop of gently bubbling percussion, makes me think she'd sound wonderfulwith that touch of hush that creeps into her voice at timeson a bossa nova set.
Track Listing: Born to Be Blue, Uncurling, Trees, Later Baby, How Deep Is the Ocean, World Peace Blues, Say My Name, You're Everything, You Don't Know Wqhat Love Is, Unspoken thought, Invitation , There Will Never Be Another You
Personnel: Belinda Underwood--voice, bass, baritone ukulele;John Gross--tenor saxophone; Clay Giberson--piano; Phil Baker--bass; Martin Zarzar--drums and percussion; Dan Balmer--guitar; David Friesen--Hamage bass; Airto Moreira--drums and percussion; Chad Wagner--piano; Jason Levis--drums
I love jazz because it is in my blood. It is the only original American art form. It is sacred. The greatest musicians are jazz artists.
I was first exposed to jazz in 1961 listening to my father's records of Duke Ellington, Billy Strayhorn, Count Basie, Nat King Cole, Ben Webster, Coleman Hawkins, Lester Young.
I met Sonny Stitt, Wayne Shorter, Branford Marsalis, Joey Calderazzo, Michael Brecker, Cannonball Adderley, Walter Booker, Dave Liebman, Joe Lovano, George Benson, Mike
Stern, Stanley Turrentine, Billy Harper, Skip Hadden, Charlie Haden.
The best show I ever attended was Joe Lovano with Soundprints at the Wexner Center in Columbus Ohio in 2014.
The first jazz record I bought was Miles Smiles.