If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Portland, Oregon-based vocalist/bassist Belinda Underwood opens her debut with Mel Torme's "Born To Be Blue," employing a vocal style that seems a curious mixture of coy guilelessness and sultry sensuality. Not bad for someone who started as an instrumentalistbass, violin, baritone ukulele, piano, harpand then started singing late in the game because she couldn't make her bass play the sounds she was thinking, forcing her resort to her voice.
Underwood Uncurling features six of Underwood's own compositions, the highlight perhaps the title tune, which has a very Joni Mitchell vibe. She also tackles a couple of familiar standardsIrving Berlin's "How Deep Is The Ocean," featuring some marvelous phrasing in front of a vibrant arrangement; and "You Don't Know What Love Is," a loving nod to Billie Holiday infused with Underwood's own style.
Underwood is a talented lady. The mix of standards and originals here, played with understated but tasteful accompaniment, makes for an engaging listen in the singer/songwriter categoryleaning toward jazz on the standards and looking in the pop/songstress direction (Joni Mitchell style) on her originals. "Invitation" (B.F. Kaper/P.F. Webster), featuring a backdrop of gently bubbling percussion, makes me think she'd sound wonderfulwith that touch of hush that creeps into her voice at timeson a bossa nova set.
Track Listing: Born to Be Blue, Uncurling, Trees, Later Baby, How Deep Is the Ocean, World Peace Blues, Say My Name, You're Everything, You Don't Know Wqhat Love Is, Unspoken thought, Invitation , There Will Never Be Another You
Personnel: Belinda Underwood--voice, bass, baritone ukulele;John Gross--tenor saxophone; Clay Giberson--piano; Phil Baker--bass; Martin Zarzar--drums and percussion; Dan Balmer--guitar; David Friesen--Hamage bass; Airto Moreira--drums and percussion; Chad Wagner--piano; Jason Levis--drums
I love jazz because it takes my mind away and is very relaxing.
I was first exposed to jazz by my older brother every morning while eating breakfast before school he would play Hiroshima One which I hated but after he moved away to college and I moved to Miami I fell in love with jazz music.