Anyone who has listened to the sound of Radiohead would confess that the English rock band breaks out of the ordinary. Devoid of harmonic complexity, dissonance, or technical virtuosity that would qualify Radiohead's music as highly sophisticated, the sound is nevertheless quite unique and pregnant with deep melancholic emotions that lead vocalist Thom Yorke asserts well in spiraling solos. His vocal performances, as often ascending inflections, produce a spacious and enveloping headphone-friendly sensation.
It would definitely take a lot of imagination to transform such music into jazz. Some sort of interpretation is needed to fill the gap of Yorke's voice creating a sensation of falling into the abyss, while the ascending hard rock texture travels into the middle of nowhere.
Amnesiac Quartet takes the challenge for the second time, to pay tribute to Radiohead's music. Led by keyboardist Sébastien Paindestre, the quartet skillfully re-explores a repertoire amazingly full of jazz possibilities.
Akin to Radiohead's music, the album is divided into two musical genres: slow, rhythmic ballads ("Exit Music (for a film)," 'The Tourist,"and "The Pyramid Song"), as well as frenetic tunes ("Bloom," "Bodysnatchers," "Climbing Up the Walls," and, to some extent, "Knives Out"). Amnesiac Quartet's slick and brilliant rendition of ballads engenders the suggestion that these songs have always been jazz standards. With hardly any synthetic touch, the mood is kept intact through Paindestre's smooth keyboard work, Fabrice Theuillon's endearing saxophone (replacing both the timbre and inflection of Yorke's voice) and double bassist Joachim Govin, whose interruptions represent the rhythmic bebop leap.
The more frenetic rock tunes are prominently bass and drums-oriented, emphasizing Theuillon's saxophone solos. On the other hand, Paindestre's spiraling keyboard sound recalls Yorke's mysterious vocal solos. The quartet does not stick to a close rendering of the original sound but creates space in which to jam. A notable example is "Bodysnatchers," which leaps into a two-minute jam similar to live performances, recreating the song's overall boisterous mood.
Paying homage to a certain type of rock within a jazz framework is made smooth by Amnesiac Quartet, which succeeds in conveying the numerous fathomless feelings that can be experienced while listening to Radiohead.
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good
I was first exposed to jazz when I discovered that one of Jimi Hendrix's influences was Wes Montgomery. I played guitar growing up and idolized Hendrix, so I knew that anyone he looked up to must be good. I was 16 at the time. I went to Tower Records and purchased a CD by Wes, and I was hooked from the very first ten seconds. The sound of the song Lolita illuminated my bedroom, as I just sat back amazed at how colorful and soulful this music was--I understood it, even though at the time I didn't understand how to go about playing it. I get chills listening to Wes' solo on Lolita, and I can still listen to that song ten times in a row and never get tired of it. There is a truly timeless quality to genuinely spontaneous jazz music, and it is that quality that has inspired me to devote my life to studying and playing this music.