All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
Anyone who has listened to the sound of Radiohead would confess that the English rock band breaks out of the ordinary. Devoid of harmonic complexity, dissonance, or technical virtuosity that would qualify Radiohead's music as highly sophisticated, the sound is nevertheless quite unique and pregnant with deep melancholic emotions that lead vocalist Thom Yorke asserts well in spiraling solos. His vocal performances, as often ascending inflections, produce a spacious and enveloping headphone-friendly sensation.
It would definitely take a lot of imagination to transform such music into jazz. Some sort of interpretation is needed to fill the gap of Yorke's voice creating a sensation of falling into the abyss, while the ascending hard rock texture travels into the middle of nowhere.
Amnesiac Quartet takes the challenge for the second time, to pay tribute to Radiohead's music. Led by keyboardist Sébastien Paindestre, the quartet skillfully re-explores a repertoire amazingly full of jazz possibilities.
Akin to Radiohead's music, the album is divided into two musical genres: slow, rhythmic ballads ("Exit Music (for a film)," 'The Tourist,"and "The Pyramid Song"), as well as frenetic tunes ("Bloom," "Bodysnatchers," "Climbing Up the Walls," and, to some extent, "Knives Out"). Amnesiac Quartet's slick and brilliant rendition of ballads engenders the suggestion that these songs have always been jazz standards. With hardly any synthetic touch, the mood is kept intact through Paindestre's smooth keyboard work, Fabrice Theuillon's endearing saxophone (replacing both the timbre and inflection of Yorke's voice) and double bassist Joachim Govin, whose interruptions represent the rhythmic bebop leap.
The more frenetic rock tunes are prominently bass and drums-oriented, emphasizing Theuillon's saxophone solos. On the other hand, Paindestre's spiraling keyboard sound recalls Yorke's mysterious vocal solos. The quartet does not stick to a close rendering of the original sound but creates space in which to jam. A notable example is "Bodysnatchers," which leaps into a two-minute jam similar to live performances, recreating the song's overall boisterous mood.
Paying homage to a certain type of rock within a jazz framework is made smooth by Amnesiac Quartet, which succeeds in conveying the numerous fathomless feelings that can be experienced while listening to Radiohead.
Track Listing: Bloom; Bodysnatchers; Exit Music (For a film); Climbing Up the Walls; Knives Out; The
Tourist; Pyramid Song.
Personnel: Sébastien Paindestre: keyboards; Joachim Govin: double bass; Fabrice Theuillon:
soprano saxophone; Antoine Paganotti: drums.
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.