The Big Picture is the second album from pianist/vibraphonist Roger Burn's protean Shapes ensemble. Like their debut, 2003's The Last Farewell, this set features original compositions from not only Burn but also other members, including harmonica player Tollak Ollestad and guitarists Mike Higgins and Matthew Von Doran. This release is a two-CD affair, and Shapes use the additional time to include their arrangements of several standards. The resultant experience is similar to that of seeing the band play a couple of sets at Spaghettini or the Baked Potato on a given nightthe big picture of the band and its mix of contemporary and classic jazz.
Jimmy Haslip is again behind the booth, and occasionally on the other side of it as well. Also on hand are some of his colleagues from the Yellowjackets, including Russell Ferrante, whose turns at various keys allows Burn to shine at marimba on "Eat the Heat" and on vibraphone in several places, as well as Jackets alumnus Robben Ford, whowell, who contributes by being Ford. His introduction to the group's reading of "Naima" is simply beautiful, and Ollestad's arrangement of the tune itself is canny and effective, eschewing the seemingly inevitable bossa nova for a light reggae rhythm that probably sounds a lot better on disc than it looks on paper. And his chromatic harmonica here and elsewhere is a defining element of the group's sound.
The Big Picture is an ambitious effort from a band that seems incapable of giving any other kind. Shapes is a interesting band; though the exact lineup of players and their exact instrumentation is somewhat fluid from track to track, the group nonetheless manages to establish a unique identity. Their sound is contemporary, but still rooted in straight-ahead jazz.
Track Listing: CD1: Arc of Twilight, Naima, The Big Picture, Gabriela, Eat the Heat, Lobster, Measure Once, Sotto Voce.
CD2: Softly As in a Morning Sunrise, Love for Sale, In the Outdoors, I Didn't Know What Time It Was,
Automat, I Still Remember, What Now?
Personnel: Tollak Ollestad--chromatic harmonica, keys, background vocals; roger Burn--keys, vibraphone; Larry Steen, Dean Taba--bass, Jimmy Haslip; various others...
I love jazz because it is the only existing music style which let you
I was first exposed to jazz by Gunther Hampel in Hamburg, around 1972.
I met Ornette Coleman, Butch Morris, Karl Berger, Michel Camilo, a.o.
The best show I ever attended was Salif Keita at the Blue Note in
The first jazz record I bought was the Tony Scott and Hozan Yamamoto
My advice to new listeners: when you listen to my music, please be a
part of it.