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6

Article: Year in Review

I Dischi del 2025 secondo Ludovico Granvassu

Read "I Dischi del 2025 secondo Ludovico Granvassu" reviewed by Ludovico Granvassu

by Ludovico Granvassu

Immortalare la bellezza e la varietà del jazz pubblicato nel 2025 attraverso una “top ten" appare tanto arduo, vano--e alla fine deludente--quanto cercare di fotografare un tramonto sulla costiera amalfitana usando una rudimentale fotocamera digitale e facendo un forellino sul copriobiettivo. Certo, una foto verrà scattata. Potrebbe persino dimostrare che eri lì, in quel momento, quando ...

35

Article: Year in Review

Ludovico Granvassu's Garden Of Jazzy Delights 2025

Read "Ludovico Granvassu's Garden Of Jazzy Delights 2025" reviewed by Ludovico Granvassu

by Ludovico Granvassu

Capturing the breathtaking beauty, range, and diversity of jazz released in 2025 through a list of “10 best albums" feels as challenging, vain--and ultimately disappointing--as trying to photograph the Grand Canyon at sunset by placing a pinhole in front of a rudimentary digital camera's lens. Sure, a picture will be taken. It might even prove you ...

2

Article: Year in Review

I Dischi del 2024 secondo Ludovico Granvassu

Read "I Dischi del 2024 secondo Ludovico Granvassu" reviewed by Ludovico Granvassu

by Ludovico Granvassu

Spesso molti articoli sulle “migliori uscite dell'anno" iniziano con una premessa quasi apologetica ("questi non sono necessariamente 'i migliori album dell'anno,' ma 'i miei preferiti';" “è tutto soggettivo;" “domani avrei scelto titoli diversi;" “ho potuto selezionare solo dieci album," ecc.)? Queste dichiarazioni sembrano riflettere il disagio del redattore, costretto a riassumere un vasto ecosistema artistico selezionando ...

31

Article: Year in Review

Ludovico Granvassu's Garden of Jazzy Delights 2024

Read "Ludovico Granvassu's Garden of Jazzy Delights 2024" reviewed by Ludovico Granvassu

by Ludovico Granvassu

Have you noticed how many “best of the year" listicles start with an apologetic preamble ("these are not necessarily 'the best albums of the year' but 'my favorites';" “it's all subjective;" “tomorrow I might have chosen different titles;" “I could only select ten albums" etc.)? Those disclaimers channel the writer's discomfort of having to summarize a ...

Album

Innerpeace: Rare Spiritual Funk And Jazz Gems

By Various Artists

Label: WEWANTSOUNDS
Released: 2018
Track listing: In The Back, In The Corner, In The Dark (Harold Land); Senyah (Roy Haynes); Iron Jaws (Charles Williams); Inner Peace (Buddy Terry); Cigar Eddie (Hadley Caliman); Requiem For Dusty (Frank Foster); Mebakush (Pete Yellin); B.C. (Dave Hubbard); Love Song (Sonny Red); Libra’s Longing (LaMont Johnson); Infinity (Shelley Manne).

Album

Windows

By Jack Wilkins

Label: WEWANTSOUNDS
Released: 2018
Track listing: A-Side: Windows; Naima; Canzona. B-Side: Pinocchio; Red Clay; Song For The Last Act.

Album

Home Boy, Sister Out

By Don Cherry

Label: WEWANTSOUNDS
Released: 2018
Track listing: Call Me; Treat Your Lady Right; Butterfly Friend; I Walk; Art Deco; Rappin' Recipe; Reggae To The High Tower; Alphabet City; Bamako Love; Kick (single version); Rappin' Recipe (instrumental); Benoego; Initiation (demo); Treat Your Lady Right (bim bam bom).

Album

Windows

By Jack Wilkins

Label: WEWANTSOUNDS
Released: 2018
Track listing: Side A: Windows; Naima; Canzona. Side B: Pinocchio; Red Clay; Song For The Last Act.

9

Article: Album Review

Jack Wilkins: Windows

Read "Windows" reviewed by Chris May

by Chris May

Guitarist Jack Wilkins' debut on producer Bob Shad's Mainstream label lay gathering dust for almost forty-five years before being reissued on CD by Solid Records in 2017. That disc, and now WeWantSounds' 2018 vinyl edition, have restored to general circulation an album that can be filed alongside such mid-twentieth century jazz-guitar gems as Johnny Smith's Moonlight ...

6

Article: Album Review

Various Artists: Innerpeace: Rare Spiritual Funk And Jazz Gems

Read "Innerpeace: Rare Spiritual Funk And Jazz Gems" reviewed by Chris May

by Chris May

It took a few years for producer Bob Shad's newly formed Mainstream Records to nail its direction in the 1960s. A less than auspicious start was releasing the first singles by the latter-day Trump-boosting halfwit Ted Nugent. A better move, given hindsight, was releasing the debut album by Janis Joplin's Big Brother & The Holding Company. ...


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