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Dan Bruce's Beta Collective: Earthshine
by Troy Dostert
On the first listen, it's easy to fall under the sway of the sweetness of Dan Bruce's silky guitar tone, only to miss the substance at the heart of his music. Just as similar guitarists like Ben Monder or Kurt Rosenwinkel possess a generous, accessible sound with an exploratory edge, Bruce brings a finely-polished technique that ...
Jeong Lim Yang: Déjà Vu
by Troy Dostert
On her excellent debut record, Déjà Vu, bassist Jeong Lim Yang proves that there's more than one way to make a first impression on a listener. Rather than taking the obvious route with up-tempo workouts or deviously complex compositions, Yang is content to carve out plenty of open space for her music to breathe. Her graceful ...
Mark Guiliana Jazz Quartet: Jersey
by Troy Dostert
When it comes to the boundary-stretching spirit that has become so widespread among many of today's leading jazz musicians, drummer Mark Guiliana deserves credit for being one of the most enthusiastic embodiments of this attitude. He has a longstanding passion for electronic music, as heard especially on the releases on his own Beat Music label (2014's ...
Adam Larson: Second City
by Troy Dostert
The first thing one notices when listening to tenor saxophonist Adam Larson's latest release, Second City, is the torrent of notes coming out of his horn, seemingly in unstoppable waves. But Larson's got a lot more to offer than just impeccable chops. He possesses a rhythmic sophistication and compositional cleverness that should help him distinguish himself ...
Jane Ira Bloom: Wild Lines: Improvising Emily Dickinson
by Troy Dostert
When you think about it, it's not that hard to see the affinity between soprano saxophonist Jane Ira Bloom and Emily Dickinson. Despite their fame coming from two different artistic worlds (although not completely different, as it turns out, as Dickinson was apparently a talented pianist), they do have a good deal in common. Bloom is ...
Leonor Falcón: Imaga Mondo
by Troy Dostert
Violinist Leonor Falcón takes a leap into the realm of the fantastical with her debut record, Imaga Mondo--literally, “Imaginary World" in Esperanto. Having long inhabited disparate musical territories, including classical stints with the Sirius Quartet and other chamber ensembles as well as her work with jazz musicians like Akua Dixon and Karl Berger, she's well-positioned to ...
Dial & Oatts, Rich DeRosa, and the WDR Big Band: Rediscovered Ellington
by Troy Dostert
Pianist Garry Dial and saxophonist Dick Oatts have teamed up frequently in recent years as “Dial and Oatts," on some occasions to record their own material (Dial and Oatts, 1990) and on others to breathe new life into classic jazz repertoire (Dial and Oatts Play Cole Porter, 1993). Their latest, Rediscovered Ellington, is of course an ...
Chris McCarthy: Sonder
by Troy Dostert
You won't find too many jazz musicians eager to cover post-punk stalwarts Deerhoof on their debut record, as keyboardist Chris McCarthy does on Sonder. But maybe McCarthy's not too interested in being regarded as just a “jazz musician." If anything, the cross-genre creativity on display here suggests that McCarthy is trying to make music beyond category--and ...
Andrew Janak: Borrowed Time
by Troy Dostert
Although Lincoln, Nebraska isn't yet ready to announce itself as a bona fide jazz mecca, it is home base for saxophonist Andrew Janak, who recently returned to his alma mater the University of Nebraska to pursue a doctoral degree in music after spending some time honing his craft in Chicago. Borrowed Time is his debut record ...
Tyshawn Sorey: Verisimilitude
by Troy Dostert
Given Tyshawn Sorey's propensity for shattering the boundaries between jazz, free improvisation and classical music, it's noteworthy that he decided to stick with just his regular trio for his latest release, Verisimilitude. His previous record, last year's Inner Spectrum of Variables (Pi), drew heavily from the streams of classical and new music, with the additional presence ...
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