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Tricky Sam Nanton

A native of the West Indies, Nanton joined the Ellington orchestra in 1926, as a trombonist. He was a key player in the development of the bands overall sound and also remembered for his use of the plunger mute. Joe Nanton, was born, in 1904. His professional career as a trombonist began in Washington with pianist Cliff Jackson. From 1923 to 1924 he worked with Frazier's Harmony Five. A year later he performed with banjoist Elmer Snowden. At age 22 Joe Nanton found his niche in Duke Ellington's Orchestra when he reluctantly took the place of his friend Charlie Irvis. He remained a member of the orchestra until his early death in 1946. Many people asked Nanton how he acquired and formulated his style

ARTICLE: ALBUM REVIEW

Rastko Obradovic Quartet: The Northern Experience

Read "The Northern Experience" reviewed by Chris May

Heads up. New kid on the block. Rastko Obradovic is a 24-year old Serbian saxophonist with bags of talent. He has his own voice, is a characterful composer and resourceful arranger, and sounds like he has what it takes to go the distance. Born and raised in Belgrade, Obradovic studied Jazz Performance at the ...

ARTICLE: ALBUM REVIEW

Roswell Rudd & Heather Masse: August Love Song

Read "August Love Song" reviewed by C. Michael Bailey

I am reading a book entitled When Breathe Becomes Air by Dr. Paul Kalanithi. The book details the most fundamental things of life, those things as close to us as skin. He derives his title from the 17th Century sonnet series by Fulke Greville, 1st Baron Brooke, an Elizabethan poet, dramatist, and statesman who sat in ...

ARTICLE: ALBUM REVIEW

Nick Finzer: The Chase

Read "The Chase" reviewed by Bruce Lindsay

The trombone's gone through a few good times and a few bad times as a front-line jazz instrument. Thankfully, for all lovers of this particular horn, these times are good times. Nick Finzer is one of the players responsible, a trombonist and writer with flair and variety. The Chase, his second album, helps to ensure that ...

ARTICLE: ALBUM REVIEW

Mattias Ståhl Trio: Jag Skulle Bara Gå Ut

Read "Jag Skulle Bara Gå Ut" reviewed by Mark Corroto

The rebirth of the vibraphone as a tool for creative music making has been a long time coming. Like the clarinet, it had to lose its nerdishness to gain acceptance. Artists like Jason Adasiewicz, Matt Moran and the Swedish-born Matthais Ståhl are making the vibes as relevant today as the mid-sixties and 1970s work of Khan ...


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