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Carol Morgan Trio: Opening
by Raul d'Gama Rose
Opening is an album so rich in the intricacies of melody that it never fails to surprise at every turn. The saddest aspect of the album is that it is all too short. But the biggest surprise of all is Carol Morgan, a trumpeter who seems to have awakened the urge to find parallels in phrasing ...
Jazz Goes Green: Musical Explorations On A Secondary Color Of Note
by Dan Bilawsky
With spring taking hold and summer on the way, it's hard to avoid encounters with the color green. The drab gray and white of winter is now no more and a vibrant green color scheme has taken over. A drive along the Long Island Expressway--which leads to Manhattan and some of the greatest jazz clubs in ...
Chick Corea: Solo Piano
by John Kelman
It may be Keith Jarrett and Paul Bley who, with Facing You (1972) and Open, To Love (1973) respectively, put ECM on the map for what would become a lifelong focus on the art of solo piano, but it was Chick Corea's Piano Improvisations Vol. 1 (1971) and Vol. 2 (1972) that represented the label's first ...
Finland's April Jazz Festival 2010
by Anthony Shaw
April Jazz Festival Espoo/Tapiola, Finland April 28-May 2, 2010 The wind in these northern climes can hit heavy, even during the sunny days of late April. This year an east wind drove down from the Arctic Ocean and any opportunity to get into the sun needed to be taken--but it's a sign ...
Jean-Michel Pilc: True Story
by Joel Roberts
Paris-born pianist Jean-Michel Pilc continues his impressive series of Dreyfus Jazz releases with True Story, his first album since 2006's New Dreams and the debut effort for his exciting new trio featuring respected veteran drummer Billy Hart and talented Russian-born bassist Boris Kozlov. The 49-year-old Pilc, a resident of New York for the past 15 years, ...
Von Freeman: Vonski Speaks
by Clifford Allen
Von Freeman Vonski Speaks Nessa Records 2009 The musician's musician" is a tiring phrase--assuming that only someone who actually plays an instrument can receive joy from listening to players such as tenor saxpohonists Dexter Gordon, Don Byas and Ike Quebec, trumpeter Dupree Bolton or drummer Walter Perkins. None ...
Take Five With Matt Slocum
by AAJ Staff
Meet Matt Slocum:Matt Slocum's multicolored traps--at times forceful or delicate, creatively painting varied tempos with the essence of swing--define the drummer's debut, Portraits. Hailing from St. Paul, Minnesota, Slocum's introduction carries forward the torch of patriarchs Max Roach and Elvin Jones amongst others, but he also carves out his own rhythmic patterns with young ...
Sam Stephenson: A "Loft-y" Vision of Jazz
by Victor L. Schermer
When, in 1997, writer, scholar, and archivist Sam Stephenson serendipitously came across audio tapes, photographs and other documents involving jazz musicians congregating in photographer W. Eugene Smith's Manhattan loft in the late 1950s and early 1960s, he was surprised as anyone. The wall of cartons had been unopened since before Smith's death in 1978. Stephenson and ...
Craig Handy: The Busiest Man In Jazz
by Robert Dugan
Saxophonist Craig Handy is a musician's musician. Those in the know" know about him, which is why he's been a first call player in New York for over two decades. He is a careful, thoughtful improviserexpansive and precise. His solos build on a rich knowledge of the tradition at the same time as they often set ...
Monkadelphia: All Monk, All the Time
by Victor L. Schermer
Over the past several years, there has been a revival and reconsideration of the music of Thelonious Monk. No one embodies this trend better than Monkadelphia, a group of Philadelphia-based jazz musicians who play his music exclusively--a difficult challenge which they embrace with vitality, panache, and sophistication. With Chris Farr on saxophone, Tony Miceli on vibes, ...


