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Fight The Big Bull: All Is Gladness In The Kingdom
by Martin Longley
Such an unwieldy band name and album title is almost perversely suitable for the ambitious music contained herein. Fight The Big Bull (FTBB) is, doubtless, dominant on the Richmond, Virginia alternative jazz scene, but possesses the powers to be equally noticeable on the much larger stage of, let's say, New York City. From this very place, ...
John Blum: Who Begat Eye
by Martin Longley
Pianist John Blum is a native New Yorker who has been immersed in the city's free improvisation scene for the last 15 years. His work with bassist William Parker and drummer Sunny Murray has had the highest profile and last year's release by this trio, In The Shade Of Sun, appeared on guitarist Thurston Moore's Ecstatic ...
Konk Pack, Tim Hodgkinson, George Lewis and Bob Stewart
by Martin Longley
Konk PackThe StoneApril 14, 2010 RouletteApril 17, 2010 The Anglo-German improvising trio Konk Pack climaxed their epic US tour with a pair of New York City dates. They had already taken their extremist electroacoustic abstractions to far Knoxville and Kansas City, ending up performing at ...
Weasel Walter: Mysteries Beneath The Planet & Invasion
by Martin Longley
Marc Edwards/Weasel Walter GroupMysteries Beneath The PlanetugEXPLODE2009 Weasel Walter SeptetInvasionugEXPLODE2010 Both of these Weasel Walter albums feature similarly-equipped bands and a comparable level of attack, magnified, distended, distilled, compacted, crushed, ...
Frank Vignola: 100 Years Of Django
by Martin Longley
In this centenary year of Django Reinhardt's birth, it's inevitable that homages will be uppermost in the minds of the guitarist's disciples. Frank Vignola has no desire to resist this temptation, given that so much of his very fiber is directly descended from the Reinhardt legacy. But aside from the unavoidable “Nuages," Vignola sidesteps down a ...
Ken Peplowski: Noir Blue
by Martin Longley
In his liner notes, saxophonist/clarinetist Ken Peplowski reveals that after hitting fifty, he had no desire to make albums that are going through the motions of record company requirements. Not that such bodies are lately in a position to demand anything. He now intends to make recordings when the inspiration is strong and when the circumstances ...
Pere Ubu, Manorexia, Growing & Acid Mothers Temple
by Martin Longley
Pere Ubu(le) Poisson RougeMarch 28, 2010 Let's get this out of the way first: these masters of the avant-garage genre (well, lead vocalist David Thomas came up with the term, and there might not be many contending combos for such a mortar'n'gown) had played a gig four days earlier, ...
George Coleman: Close to Home
by Martin Longley
George Coleman's enfolding tenor saxophone tone is the embodiment of the endangered old school sound. His warm organically bluesy embrace invites the listener to sit closer, whether this Memphis man is picking spontaneously from the standards book or maybe selecting one of his own compositions. Actually, Coleman grew up down south, getting his first big break ...
Gato Loco: CocoNino
by Martin Longley
On their MySpace page, Gato Loco describes itself as Death-Danzon. Well, that's certainly a part of the group's pan-Latin mangling. Or how about “avant mambo"? Or “a giant tarantula dancing with a woman in slow motion"? Yes, of course. Stefan Zeniuk is the ringleader. A barely-controlled chaos is the sprawling combo's accustomed state ...
Joseph Jarman, Bob Wilber, Charles McPherson & Vinny Golia
by Martin Longley
Joseph Jarman/The Peter Apfelbaum New York Hieroglyphics QuintetBelarusan ChurchMarch 7 In the search for ever-more unusual venues, I journeyed to the Belarusan Church on Atlantic Avenue in Brooklyn, the current home of Connection Works. This is an artist-operated, non-profit organization that divides its resources between gigs and workshop activities, ...
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