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Frank Carlberg Trio: Reflections 1952
by Mark Corroto
How does one approach a Thelonious Monk tribute recording? Does the pianist sound like Monk? Truthfully, it is rare for a musician to replicate the high priest of bebop's distinctive and eccentric sound. Walter Davis Jr. could, but most other attempts are easily exposed as forgeries. The finest tributes are the ones that originate with the ...
Pandelis Karayorgis Trio: The Hasaan, Hope & Monk Project
by Mark Corroto
Thelonious Monk is quoted as saying, “the piano ain't got no wrong notes." He most certainly said this in response to the criticism of his approach to both composing and performance. In what sounds blasphemous today, critics and other musicians in the early days of bebop flat out said he couldn't play. Perhaps the lesson here ...
Rodrigo Amado: Refraction Solo
by Mark Corroto
Are you familiar with Pablo Picasso's found art sculpture “Bull's Head"? It was created in 1942 from bicycle handlebars and a bike's saddle. Picasso was walking down the street and spotted the discarded items, and in a flash joined the two, creating an obvious depiction of a bull's head. That same spontaneous moment of creation informs ...
Mark Corroto's Best Jazz Albums Of 2022
by Mark Corroto
Year end “Best of" lists are curious beasts. If you asked me last week, I would have listed Wadada Leo Smith's The Emerald Duets (TUM) and John Hébert's Sounds Of Love (Sunnyside) as the best releases of the past year. And most definitely when you inquire next week, I'll certainly tell you to add JD Allen's ...
Ivo Perelman: Reed Rapture in Brooklyn
by Mark Corroto
"Let's play two," the famous line by the Cubs Hall-of-Fame baseball player Ernie Banks in 1969, uttered when the temperature in Chicago had reached 105 degrees (40.5 celsius) and his teammates were exhausted, might find its analogy with this massive undertaking from saxophonist Ivo Perelman. At eleven hours in length though, the two games Banks cited ...
Kirk Knuffke / Michael Bisio: For You I Don’t Want To Go
by Mark Corroto
The oft-quoted description of a sitting meditation practice, “It's simple but not easy," might be a fitting characterization of this duo performance by cornetist Kirk Knuffke and bassist Michael Bisio. The equanimous and imperturbable approach the pair apply to this single 36-minute composition/recording dares one to disregard the high level of musicianship employed. Don't be drawn ...
Avram Fefer Quartet: Juba Lee
by Mark Corroto
Avram Fefer comes out swinging on Juba Lee, the second release from his quartet,. It must have certainly been fated, as the opener “Showtime" hits hard with its muscular sound. Fefer's tenor saxophone blows out any existing cobwebs before handing off to guitarist Marc Ribot. The music continues the rich sound heard on the quartet's critically ...
Chris Pitsiokos: Art Of The Alto
by Mark Corroto
Chris Pitsiokos contains multitudes. His sounds do, and from that one can extrapolate, he as an artist also. He can be found in multiple settings from chamber music to rock and noise. His music touches on improvisation, free jazz, and fusion. Pitsiokos leads several ensembles from his CP Unit to the trio Protean Reality with Susana ...
Ben Monder / Tony Malaby / Tom Rainey: Live In Lisbon
by Mark Corroto
Although we mourn the millions (estimated 6.5 million) of lives lost in the the great pandemic of the 21st century, some good things have survived. For our purposes, great expressions in music making. Live In Lisbon is a perfect example. Guitarist Ben Monder assembled a trio with saxophonist Tony Malaby and drummer Tom Rainey at the ...
Fred Moten, Brandon López, Gerald Cleaver: Moten/López/Cleaver
by Mark Corroto
Chuck D of Public Enemy fame once said, “rap music is the CNN of the ghetto." His words, coupled with samples and the scratching of turntables, were revelatory in their day, very much like a five-minute news update. Poet and cultural critic Fred Moten's words are more like a deep dive graduate colloquy. He presents his ...
