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Greg Osby: The Invisible Hand
by Mark Corroto
Greg Osby has come a long way from his beginnings in St. Louis playing funk and R&B. His sound crossed our radar screens after moving to Brooklyn and joining forces with Steve Coleman in the mid-‘80s to form M-BASE, an urban-beat driven jazz. Osby had a very calculated, sometimes emotionless sound. It was if he was ...
Kurt Elling: Live In Chicago
by Mark Corroto
Singer Kurt Elling’s first three recordings for Blue Note records were quite ambitious, but being studio albums, they lost much of Elling’s spirit in the production. The jazz singer, like the poet, is best heard live. Elling, captured during a three-night gig at Chicago’s Green Mill, finally has realized (on record) his full potential. He’s a ...
McCoy Tyner: With Stanley Clarke And Al Foster
by Mark Corroto
One cannot think of McCoy Tyner and not recall John Coltrane’s classic quartet. Tyner’s massive expression on the ivories was the equivalent of John Coltrane’s efforts to blow the jazz world wide open. For the past forty years his playing has been the model for most modern jazz piano. Of late, he has worked in a ...
Michael Mason: Angel On Fire
by Mark Corroto
On December 1, 1958 fire broke out at Our Lady Of Angels school in Chicago. Ninety-two children and three Catholic nuns were killed and hundreds of others injured in the fire. Michael Mason a survivor of this tragedy is besides a talented Musician, a firefighter in the Chicago area. Mason and The Exploratory Ensemble present this ...
Tatsu Aoki: Basser Live
by Mark Corroto
Until the digital revolution came, bass solos sounded a lot like the opening of Saving Private Ryan, the band would layout while the bassist plays, “boom, hiss, pop, strum, pop, crack”...etc. And since the woofer has found popularity with not only b-boys but serious jazz fans wishing to hear that bottom end. Enter the bass solo ...
Caravana Cubana: Late Night Sessions
by Mark Corroto
Face it, when it comes to authentic Cuban music, we are all just lurkers. Sure, you’re a fan of Dizzy Gillespie’s Cuban-jazz, but Dizzy and his import musicians, Chano Pozo and Mario Bauza, infused jazz with the feel of Cuba. It was, and is, glorious music, but it is a type of fusion. In recent times ...
Kurt Elling: Live In Chicago
by Mark Corroto
Singer Kurt Elling’s first three recordings for Blue Note records were quite ambitious, but being studio albums, they lost much of Elling’s spirit in the production. The jazz singer, like the poet, is best heard live. Elling, captured during a three-night gig at Chicago’s Green Mill, finally has realized (on record) his full potential. He’s a ...
Brooke Sofferman: Modesty's Odyssey
by Mark Corroto
I’ve always thought of jazz in terms of Major League Baseball. You have your major labels, Verve, Blue Note, Warner Bros., and Sony, that record the huge stars, usually late in their careers. Hard core fans scout the minor league, small independent labels that develop the talent of a jazz artist, the Black Saints, Riversides, and ...
Claude Williams: Swinging The Blues
by Mark Corroto
Author Michael Ondaatje wrote Coming Through Slaughter, a fictional account of the real New Orleans barber and perhaps the first jazz musician, Buddy Bolden. Bolden’s myth and infamy comes from the fact he was never recorded. Thus, his life makes for great story telling and his sound for much exaggeration. For violinist Claude “Fiddler” Williams, recording ...
McCoy Tyner: With Stanley Clarke And Al Foster
by Mark Corroto
One cannot think of McCoy Tyner and not recall John Coltrane’s classic quartet. Tyner’s massive expression on the ivories was the equivalent of John Coltrane’s efforts to blow the jazz world wide open. For the past forty years his playing has been the model for most modern jazz piano. Of late, he has worked in a ...
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