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154

Article: Album Review

T.K. Blue: Another Blue

Read "Another Blue" reviewed by Mark Corroto


For the past ten years T. K. Blue, also known as Talib Kibwe, has been sideman extrodinaire for Randy Weston’s Spirit of Life Orchestra. Like Billy Pierce to Tony Williams, or Paul Desmond to Dave Brubeck, Blue added depth and soul to the group without stepping out into the limelight. Born in New York to a ...

110

Article: Album Review

Jimmy Rushing: Every Day

Read "Every Day" reviewed by Mark Corroto


Singer Jimmy Rushing was often call “Mr. five-by-five.” The name described his height and width. Rushing, who gained fame singing for Count Basie’s band from 1935 to 1950, often sang from the middle of the stage obscuring the view of half the saxophone section. The recordings culled here are from three mid-fifties sessions for Vanguard Records, ...

110

Article: Album Review

Cortex Bomb: Need To Scream Have No Mouth

Read "Need To Scream Have No Mouth" reviewed by Mark Corroto


I confess, this disc scares me. Read the song titles for yourself. Go ahead. Sure, it’s all good fun, that is until someone gets hurt. Cortex Bomb hops from jazz to rock, surf, reggae, blues-you name it. This Tucson AZ band might have taken its inspiration from John Zorn’s Naked City, but they sound (at times) ...

102

Article: Album Review

Various: Duke Ellington...Swings!

Read "Duke Ellington...Swings!" reviewed by Mark Corroto


I received an odd response when I asked the avant-garde free saxophonist Peter Brotzmann what his favorite records were. He responded with a list of Duke Ellington titles. Funny, no strange that someone who practices so free from melody should admire Duke Ellington, a true composer’s composer. During this centenary celebration of Duke’s birth, when everyone ...

78

Article: Album Review

HEAR: ...Or What?

Read "...Or What?" reviewed by Mark Corroto


I overheard a conversation the other day. It was recorded by the duo HEAR, Joey Oz and Hannes Giger. Not knowing where it started or how it ends, their banter was an inside joke...that I understood. The forty-seven tracks comprising this release include 30 musical haikus. But even the longer pieces are fragments of thoughts. Scraps ...

106

Article: Album Review

Jeff Kaiser: Ganz Andere

Read "Ganz Andere" reviewed by Mark Corroto


“Why can’t we all just get along,” those now famous words spoken by Rodney King have bounced everywhere from Jay Leno’s lips to a tee shirt I saw on a Tibetan monk. But sampling has been around since well before Snoop Doggy. There was The Beatles’ White Album, and “I certainly was drunk at the time” ...

104

Article: Album Review

Otani Yasuhira and Aoki Tatsu: Dial

Read "Dial" reviewed by Mark Corroto


There are moments during the listening experience of Mr. Otani and Mr. Aoki’s disc that I’m not sure what is captured on disc and what is contributed from my environment. While listening to the opening track, a minimalist bass solo mixed with a futurists walk through an urban sprawl, I heard birds chirping. But, ah, they ...

155

Article: Album Review

Oscar Peterson/Milt Jackson/Ray Brown: The Very Tall Band/Live At The Blue Note

Read "The Very Tall Band/Live At The Blue Note" reviewed by Mark Corroto


Sure I’m a fan of Tiger Woods, but sometimes I like to watch the Senior PGA Tour. Even though my heroes of yesterday Hale Irwin, Jack Nicklaus, and Gary Player don’t hit the ball as long or putt as well as the modern player, their games remind me of the glories of the past. Like the ...

94

Article: Album Review

Jerry Heinz: Geneva Bay

Read "Geneva Bay" reviewed by Mark Corroto


Context. Today’s lesson revolves around the contextual relationship between musician and his environs. Place a musician on a horse, out West, and you get cowboy songs. An urban environment gives us a frenetic sound. Think about the birth of jazz, as the bluesmen moved into the cities, the thing was that swing. Give the musician a ...

86

Article: Album Review

David Watson: Skirl

Read "Skirl" reviewed by Mark Corroto


My favorite bumper sticker of the 1980’s read “But Is It Art?” Adopting that as my motto for most of the following two decades, I wondered, “But Is It Jazz?” about the music I was listening to. Applying a Rorschach ink blot test to the new release by bagpipe musician David Watson leads us to varying ...


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