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Charles Earland: The Almighty Burner
by Mark Corroto
The organ-jazz revival of the 1990s brought a flood of reissues from Jimmy Smith, Jimmy McGriff, and John Patton along with the new stars of the organ Joey DeFrancesco, Larry Goldings, and John Medeski. Charles Earland’s career got a boost too, reviving his 1960’s soul sound. Earland a bop-ishly straight-ahead B-3 man, died last year at ...
Michael Vlatkovich: TorontoLive
by Mark Corroto
Whoever said that the saxophone most closely resembles the human voice probably never heard Michael Vlatkovich’s trombone. Actually Vlatkovich sounds a lot like my uncle Rocco. He always sounded a bit tipsy, even when he wasn’t drinking. When Rocco enters a room, everyone knows it, Blap, Fwap...everyone’s happy. When Vlatkovich speaks, er sings, it’s the same ...
Pablo Bobrowicky: Where We Are
by Mark Corroto
Writing about jazz is made more difficult when you are presented with a nearly perfect recording. What can you say about Miles Davis’ Kind Of Blue or John Coltrane’s A Love Supreme ? Because the recording is itself complete, words fail. I go to a tried and true method (with close friends only, please), buy the ...
David Berkman: Communication Theory
by Mark Corroto
The difficult thing about David Berkman’s music is categorizing it. The second outing under his name cannot be pinned down to a specific line of musical tradition, musical artists, or styles. He is as much about a 21st century Brooklyn as he is about Andrew Hill and Wayne Shorter. Although this is a piano-led album, I ...
Paul Brusger: You Oughta Know It
by Mark Corroto
I know it’s only hard bop, but I like it. Only hard bop, indeed! For bassist Paul Brusger, conjuring the music of McLean, Mobley, Morgan, and Miles reminds me why I’m a jazz fan. From the minute the laser hits the disc (it is the 21st century) a wave of energy hits you, simultaneously transporting you ...
Nels Cline: The Inkling
by Mark Corroto
Sometimes you are out there, listening, working the brain, catching the precious moments of truly creative music. The avant-garde today presents guitarists such as Nels Cline in digital (on disc), allowing you to listen to this Californian all the way from Iowa. But who has the time or the energy to patiently absorb harmonically challenging music? ...
Chick Corea: Solo Piano Standards/Originals
by Mark Corroto
Herbie Hancock, Keith Jarrett, and Chick Corea’s piano careers will be forever intertwined. Born within five years of each other, each apprenticed with Miles Davis, and interestingly enough each took to the electric keyboards under Miles. The Miles Davis influence pushed each into experimentation, innovation, and to my mind redemption at the keyboards. Jarrett’s experimental Impulse! ...
Jerry Granelli & Badlands: Crowd Theory
by Mark Corroto
Drummer Jerry Granelli has always been a conceptual jazz musician. After early associations with Denny Zeitlin, Vince Guaraldi, and Ralph Towner his solo projects took on novel qualities, both for their storytelling and unique aspects. The 1992 recording A Song I Thought I Heard Buddy Sing utilized Michael Ondaatje's Coming Through Slaughter, a fictionalized biography of ...
Abraham Burton - Eric McPherson Quartet: Cause And Effect
by Mark Corroto
Obsessed fans of John Coltrane’s classic quartet are forever searching for that pure energy that Trane, Elvin Jones, Jimmy Garrison and McCoy Tyner bottled for a short time. Their music was perhaps the pinnacle of jazz’s most dynamic period. Few have tread the same path for fear of comparison and ultimately failure. Enter Abraham Burton and ...
Charlie Hunter: Charlie Hunter
by Mark Corroto
Confessions of a self-proclaimed jazz snob. I admit it. After listening to jazz for these many years, I’ve absorbed New Orleans/swing/ bop/ post-bop/hard bop, and free-jazz. I, like many of you, have little patience for the thin veil of pop music. Give me Anthony Braxton’s equations or give me death. After listening to Charlie Hunter’s latest ...


