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Sketches

Label: ear&eyes Records
Released: 2020
Track listing: Beginnings; New Three; Shape Twenty; Sketch Two; No Straight Lines; Shape Twenty-One

ARTICLE: EXTENDED ANALYSIS

Miles Davis Quintet: Live in Europe 1967 - The Bootleg Series Volume 1

Read "Miles Davis Quintet: Live in Europe 1967 - The Bootleg Series Volume 1" reviewed by Kevin Davis

Miles Davis Quintet Live in Europe 1967: The Bootleg Series Volume 1 Legacy Recordings 2011 The most--perhaps only--frustrating thing about this first installment in what trumpeter Miles Davis completists can only hope ends up being an exhaustive series of archival releases, is the 44 years it took Columbia/Legacy to release ...

ARTICLE: ALBUM REVIEW

Mogwai: Earth Division EP

Read "Earth Division EP" reviewed by Kevin Davis

Even when tending to the minimalistic, the music of Scottish post-rock instrumentalists Mogwai has always been about grandeur--atmospheric swells of guitars and keyboards stacked relentlessly atop each other in suffocating layers, jarring transitions from near-silent white noise to frightening explosions of high-decibel distortion. In the fourteen years since the release of its debut Young Team (Chemikal ...

ARTICLE: EXTENDED ANALYSIS

Eddie Vedder: Ukulele Songs

Read "Eddie Vedder: Ukulele Songs" reviewed by Kevin Davis

Eddie Vedder Ukulele Songs Monkey Wrench 2011 The ballad “More Than You Know" was written by Vincent Youmans, Billy Rose and Edward Eliscu in 1929, a souvenir from a long gone era that a romantic might be tempted to posit represented “simpler times." Insofar as it's unlikely that anyone reading this ...

ARTICLE: ALBUM REVIEW

Terell Stafford: This Side of Strayhorn

Read "This Side of Strayhorn" reviewed by Kevin Davis

The preservation of traditional values in jazz has long been at the core of the art form's most bittersweet dichotomy, which is essentially a spin on the age-old idea that even moderate-level progressions in any given field require ideological breakdowns that generally make everyone mad. Miles Davis, for example, decried this preservation outright, and the jazz ...

ARTICLE: ALBUM REVIEW

Konitz / Mehldau / Haden / Motian: Live at Birdland

Read "Live at Birdland" reviewed by Kevin Davis

It begins with a conversation between Lee Konitz's airy alto sax and Paul Motian's even more ethereal drums, and instantly the groove of this 1954 Sonny Rollins workhorse, “Oleo," feels comfortable, welcoming, and lived-in. Like much of what transpired on the December, 2009 dates from which ECM culled Live at Birdland, which plays home to this ...

ARTICLE: ALBUM REVIEW

Brad Mehldau: Live in Marciac

Read "Live in Marciac" reviewed by Kevin Davis

In his 2000 book Fargo Rock City (Scribner), Chuck Klosterman explains a phenomenon in heavy metal that involves the critical threshold at which the speed of notes within a solo actually changes the inherent meaning of the sound. To illustrate his point, he describes a passage by ex-Kiss guitarist Vinnie Vincent that, upon crossing said threshold, ...

ARTICLE: ALBUM REVIEW

Thelonious Monk: The Definitive Thelonious Monk on Prestige and Riverside

Read "The Definitive Thelonious Monk on Prestige and Riverside" reviewed by Kevin Davis

One fundamental paradox of compilation albums is the way so many good ones ultimately render themselves useless. Consider how many hits packages sit untouched on the shelves of aficionados, doomed to a lifetime of neglect simply for having the gall to work efficiently as the conversion tools they were intended to be. Consequently, a great compilation ...


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