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251

Article: Album Review

David Binney: Aliso

Read "Aliso" reviewed by Karl Ackermann


Saxophonist David Binney's resume boasts of diverse stints with Maria Schneider, Craig Taborn, and Uri Caine among many others; a wide range of styles with the best musicians, composers and arrangers in jazz. While the scope of his talents as both a player and composer are recognized by his fellow musicians, wider public recognition has still ...

305

Article: Album Review

Royal Hartigan: Blood Drum Spirit: Royal Hartigan Ensemble Live in China

Read "Blood Drum Spirit: Royal Hartigan Ensemble Live in China" reviewed by Karl Ackermann


Recorded on Beijing, Blood Drum Spirit: Royal Hartigan Ensemble Live in China is the third of a trilogy, but includes changes from the original studio namesake. Guitarist Kevin McNeal is replaced by pianist Art Hirahara, giving the quartet a bit more punch. The first Blood Drum Spirit (Innova, 2004) entry consisted almost entirely of original compositions, ...

193

Article: Album Review

Rudresh Mahanthappa's Indo-Pak Coalition: Apti

Read "Apti" reviewed by Karl Ackermann


Jazz has been a well-established genre in India since the 1940s. American talent played top venues in large cities like Bombay in the '50s, and the cultures interrelated within India's natural jazz evolution from its early stages. Traditional Indian music uses single notes rather than the intricate chords typical in western jazz, so when saxophonist Rudresh ...

245

Article: Album Review

Adam Niewood: Epic Journey, Volumes I & II

Read "Epic Journey, Volumes I & II" reviewed by Karl Ackermann


Post modern jazz musicians like New York-based multi-reed instrumentalist Adam Niewood are sometimes more adroit at pushing boundaries in terms of incorporating non-traditional instruments and equally non-traditional compositions. Niewood wrote most of the tracks on Epic Journey, Volumes I & II, composing with a mind toward letting the instruments speak in their own voices while overlapping ...

534

Article: Album Review

Susie Ibarra: Drum Sketches

Read "Drum Sketches" reviewed by Karl Ackermann


When some of jazz music's more adventurous drummers want to showcase their talents, they usually do so in tandem with another player who, ideally, has enough brand equity to generate collateral interest. Solo percussion recordings rarely generate a queue on release--in large part due to the absence of melody and the almost ubiquitous presence of discordant ...

232

Article: Album Review

Royal Hartigan: Ancestors

Read "Ancestors" reviewed by Karl Ackermann


On paper, combining the musical influences of West Africa, America and Asia can appear a bit overwhelming. That's not the case at all on Royal Hartigan's Ancestors. The pianist/percussionist's trilogy--Blood Drum Spirit (Innova, 2004), Blood Drum Spirit Live in China (Innov a, 2008), and now Ancestors--reflects a universal viewpoint without being neatly categorized as world music. ...

290

Article: Album Review

Donat Fisch / Christian Wolfarth: Circle & Line 2

Read "Circle & Line 2" reviewed by Karl Ackermann


Drummer Christian Wolfarth and saxophonist Donat Fisch first recorded in this formation more than ten years ago. Circle & Line 2 is the Swiss duo's reunion and an unique free jazz achievement. Saxophone and drum duos rarely become an artist's defining work. It is a difficult format, requiring extraordinary creative effort to maintain variety and interest. ...

270

Article: Album Review

Darcy James Argue's Secret Society: Infernal Machines

Read "Infernal Machines" reviewed by Karl Ackermann


A little more than a decade ago, Maria Schneider served notice that big band jazz was no longer the domain of our grandparents. She has gone on to own the genre and now, Brooklyn resident and star Schneider pupil, Darcy James Argue's Secret Society takes it to an exceptional place with his debut, Infernal Machines. What ...

399

Article: Album Review

Royal Hartigan: Blood Drum Spirit

Read "Blood Drum Spirit" reviewed by Karl Ackermann


Good things sometimes fly under the radar; sometimes they are great things. This has never been more the case than with Royal Hartigans's Blood Drum Spirit, a jazz masterpiece that has languished in obscurity since its 1993 recording to its eventual 2004 release. It remains largely unrecognized six years later. Jazz, especially in the US, can ...

332

Article: Album Review

John Blum: In The Shade Of The Sun

Read "In The Shade Of The Sun" reviewed by Karl Ackermann


Despite his relative anonymity, pianist John Blum has been a New York free jazz fixture for more than a decade. In the Shade of the Sun teams him with ubiquitous bassist William Parker and percussion innovator Sunny Murray. Blum and Murray work well together, having established their musical relationship in Murray's trio and on Perles Noires ...


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