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David Bass: Gone

by Karl Ackermann
If Dave Bass ever decides to give up his day job as a Deputy Attorney General, he can validate that decision based on the quality of Gone. Bass returns to jazz after more than twenty years, but his priors include stints with Bobby McFerrin, global percussionist Babatunde Lea, and interpretive jazz vocalist Jackie Ryan. His Gone ...
Salo: Sundial Lotus

by Karl Ackermann
Sundial Lotus, the debut release from Salo, could easily be described as exuberant. Full of unpredictable energy, cadenced affinity and cross-genre influences, it wriggles out of one confine after another, creating small snippets of friction and long passages of intrigue. The septet's players hail from the critically acclaimed groups Respect Sextet, Jerseyband and Little Women, all ...
Stryker Slagle Band: Keeper

by Karl Ackermann
Guitarist Dave Stryker is one of the most prolific talents in jazz, with almost two dozen releases as a leader, and stints with artists including Stanley Turrentine and Jack McDuff. His unique style has garnered him a number of prestigious awards. No less productive is Stryker's long-time co-leader, saxophonist Steve Slagle, who has led his own ...
Dave Wilson Quartet: Spiral

by Karl Ackermann
Saxophonist Dave Wilson was previously a member of two Dave Stahl groups, also playing with the likes of Wynton Marsalis, Tom Harrell, Lew Soloff and Conrad Herwig and studying with the great Joe Lovano. The New York native has released two previous collections as a leader, and is actively immersed in music as both an educator ...
Ratko Zjaca: Continental Talk

by Karl Ackermann
When a group's credentials include bassist John Patitucci, drummer Steve Gadd and trumpeter Randy Brecker, it's not an unreasonable expectation to hear some quality jazz. What may be more surprising is that leader, guitarist and composer, Ratko Zjaca and his longtime collaborator, saxophonist, Stanislav Mitrovic, steal the show on Continental Talk. This revelation is almost entirely ...
Julian Waterfall Pollack: Infinite Playground

by Karl Ackermann
Musicians are often looked at in terms of their influences, mentors and roots, as if those things constitute some homeopathic magic. Though they don't, they provide convenient markers to use in weighing a frequently intangible level of talent. Twenty-two year-old jazz pianist Julian Waterfall Pollack arrives on the scene as if completely formed, full of innovative ...
Jean-Michel Pilc: True Story

by Karl Ackermann
Jean-Michel Pilc has yet to achieve a US prominence that compares to his fellow French jazz pianists, the late Michel Petrucciani and Algerian-born Martial Solal. While both of the latter musicians are frequently cited for their lightning-fast delivery, Pilc shares their agility as well as a finely honed ear for lyricism. But ultimately, Pilc is a ...
Terje Rypdal: Crime Scene

by Karl Ackermann
Norwegian guitarist and ECM principal, Terje Rypdal has defied narrow and expedient labels throughout his long career. Originally a rocker, he joined Jan Garbarek's quartet (and ECM) in 1969. In the course of his career, he has composed a number of symphonies, two operas, a violin concerto and many modern works that, as often as not, ...
Arild Andersen: Live at Belleville

by Karl Ackermann
More than forty years ago, Norwegian bassist, Arild Andersen joined saxophonist Jan Garbarek and the late Finnish drummer Edward Vesala to record the groundbreaking Triptykon (ECM 1972), one of these musicians' most energized work. It's a happy coincidence that the new millennium has seen both Garbarek and Andersen--ECM artists, both--create what may be their individual masterpieces--Live ...
Brad Mehldau: Highway Rider

by Karl Ackermann
As a classically trained teen, Brad Mehldau was introduced to the music of Keith Jarrett setting him on the road to jazz. He did not abandon the classical genre and those influences were powerfully present in his first solo release Elegiac Cycle (1999). He has since written pieces for the Orchestre National d'Île-de-France and Carnegie Hall ...