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234

Article: Album Review

David Bass: Gone

Read "Gone" reviewed by Karl Ackermann


If Dave Bass ever decides to give up his day job as a Deputy Attorney General, he can validate that decision based on the quality of Gone. Bass returns to jazz after more than twenty years, but his priors include stints with Bobby McFerrin, global percussionist Babatunde Lea, and interpretive jazz vocalist Jackie Ryan. His Gone ...

374

Article: Album Review

Salo: Sundial Lotus

Read "Sundial Lotus" reviewed by Karl Ackermann


Sundial Lotus, the debut release from Salo, could easily be described as exuberant. Full of unpredictable energy, cadenced affinity and cross-genre influences, it wriggles out of one confine after another, creating small snippets of friction and long passages of intrigue. The septet's players hail from the critically acclaimed groups Respect Sextet, Jerseyband and Little Women, all ...

244

Article: Album Review

Stryker Slagle Band: Keeper

Read "Keeper" reviewed by Karl Ackermann


Guitarist Dave Stryker is one of the most prolific talents in jazz, with almost two dozen releases as a leader, and stints with artists including Stanley Turrentine and Jack McDuff. His unique style has garnered him a number of prestigious awards. No less productive is Stryker's long-time co-leader, saxophonist Steve Slagle, who has led his own ...

216

Article: Album Review

Dave Wilson Quartet: Spiral

Read "Spiral" reviewed by Karl Ackermann


Saxophonist Dave Wilson was previously a member of two Dave Stahl groups, also playing with the likes of Wynton Marsalis, Tom Harrell, Lew Soloff and Conrad Herwig and studying with the great Joe Lovano. The New York native has released two previous collections as a leader, and is actively immersed in music as both an educator ...

291

Article: Album Review

Ratko Zjaca: Continental Talk

Read "Continental Talk" reviewed by Karl Ackermann


When a group's credentials include bassist John Patitucci, drummer Steve Gadd and trumpeter Randy Brecker, it's not an unreasonable expectation to hear some quality jazz. What may be more surprising is that leader, guitarist and composer, Ratko Zjaca and his longtime collaborator, saxophonist, Stanislav Mitrovic, steal the show on Continental Talk. This revelation is almost entirely ...

340

Article: Album Review

Julian Waterfall Pollack: Infinite Playground

Read "Infinite Playground" reviewed by Karl Ackermann


Musicians are often looked at in terms of their influences, mentors and roots, as if those things constitute some homeopathic magic. Though they don't, they provide convenient markers to use in weighing a frequently intangible level of talent. Twenty-two year-old jazz pianist Julian Waterfall Pollack arrives on the scene as if completely formed, full of innovative ...

149

Article: Album Review

Jean-Michel Pilc: True Story

Read "True Story" reviewed by Karl Ackermann


Jean-Michel Pilc has yet to achieve a US prominence that compares to his fellow French jazz pianists, the late Michel Petrucciani and Algerian-born Martial Solal. While both of the latter musicians are frequently cited for their lightning-fast delivery, Pilc shares their agility as well as a finely honed ear for lyricism. But ultimately, Pilc is a ...

295

Article: Album Review

Terje Rypdal: Crime Scene

Read "Crime Scene" reviewed by Karl Ackermann


Norwegian guitarist and ECM principal, Terje Rypdal has defied narrow and expedient labels throughout his long career. Originally a rocker, he joined Jan Garbarek's quartet (and ECM) in 1969. In the course of his career, he has composed a number of symphonies, two operas, a violin concerto and many modern works that, as often as not, ...

289

Article: Album Review

Arild Andersen: Live at Belleville

Read "Live at Belleville" reviewed by Karl Ackermann


More than forty years ago, Norwegian bassist, Arild Andersen joined saxophonist Jan Garbarek and the late Finnish drummer Edward Vesala to record the groundbreaking Triptykon (ECM 1972), one of these musicians' most energized work. It's a happy coincidence that the new millennium has seen both Garbarek and Andersen--ECM artists, both--create what may be their individual masterpieces--Live ...

327

Article: Album Review

Brad Mehldau: Highway Rider

Read "Highway Rider" reviewed by Karl Ackermann


As a classically trained teen, Brad Mehldau was introduced to the music of Keith Jarrett setting him on the road to jazz. He did not abandon the classical genre and those influences were powerfully present in his first solo release Elegiac Cycle (1999). He has since written pieces for the Orchestre National d'Île-de-France and Carnegie Hall ...


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