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Seval: i know you
by Karl Ackermann
Jazz fans and speech pathologists may disagree on the technicalities, but analogies between vocals and instrumentation date back to Billie Holiday. Holiday referred to her own singing as feeling like, ..."I'm playing the horn." If validation of the theory were in doubt, Ethiopian-born, Vietnamese-raised vocalist, Sofia Jernberg lays it to rest. The very inventive vocalist is ...
Chris Crocco: The Chris Crocco Fluid Trio +
by Karl Ackermann
The best of creative modern jazz can be visualized like Providence's Waterfire: living, breathing art with the near silence of water and sizzle of fire. True to that spirit, The Chris Crocco Fluid Trio + offers both vitalizing and hushed elements in the sequence of tunes on its self-titled sophomore outing. Crocco, the southern-born, New York-based ...
Ratko Zjaca / Simone Zanchini: The Way We Talk
by Karl Ackermann
Little more than a year ago, the great Croation guitarist, Ratko Zjaca, released the terrific Continental Talk (In + Out Records 2009) with his longtime collaborator, saxophonist, Stanislav Mitrovic, and some all-star American support. Not content to follow even a highly successful formula, Zjaca has teamed with Italian accordionist Simone Zanchini, Macedonian bassist Martin Gjakonovski and ...
Bob Gluck: Something Quiet
by Karl Ackermann
Thoroughly explaining the Julliard-trained Bob Gluck would be an exhaustive analysis. An accomplished composer of electronic music, a Rabbi, an educator and historical writer, he ventured deeper into jazz with Sideways (FMR Records 2008). Only Gluck himself remains from that recording's trio, a customary piano trio configuration but with Gluck's various synthesizers included. Something Quiet presents ...
Eastern Boundry Quartet: Icicles
by Karl Ackermann
Bassist/composer Joe Fonda continues to enjoy a most eclectic career. Whether in collaboration with saxophonist Anthony Braxton, or leading an international group comprised of musicians from Europe and China, Fonda is never far from the bleeding edge of creative improvisation. In its second outing, the Eastern Boundary Quartet continues to connect musical worlds and styles. Frequent ...
Jordan Young: Jordan Young Group
by Karl Ackermann
The Brooklyn-based Jordan Young Group has an unusual lineup featuring drummer Young, guitarist Yotam Silberstein, saxophonist Joe Sucato and organist Brian Charette. Self-described as an organ group, Jimmy Smith and Jack McDuff are cited among its influences. Organ has been part of jazz since the Fats Waller days, but has never had an ongoing prominent role ...
Sebastian Liedke Trio: To Walk In The Past
by Karl Ackermann
It's possible to identify some of the more acoustic elements of the late Esbjörn Svensson's trio, e.s.t., in Berlin-based, Sebastian Liedke Trio's debut. The bassist's group appears ready to step into a creative breach, uniquely combining a strong sense of melody with imaginative variations. Within its creative process, the trio may be on its way to ...
Footprints: When You Dream
by Karl Ackermann
Saxophonist Joshua Kwassman and trumpeter Christoph Siegrist front this maiden effort from Footprints, a New York-based quintet that surpasses freshman potential and arrives entirely shaped in its own unique style. The sophistication of the compositions, and the maturity and innovation in the playing, all belie the fact that these are very young players. The two leaders ...
Lew Soloff: Sketches Of Spain
by Karl Ackermann
Lew SoloffSketches Of SpainSheffield Lab 2010 Sometimes it feels as though trumpeter Miles Davis never left the stage--his afterlife in airplay, books, t-shirts, reissues and tributes is ubiquitous. But even for those jazz fans who would rather not languish in nostalgia, Davis, like saxophonist John Coltrane, continues to ...
Dan Berg & The Gestalt: Manifesto
by Karl Ackermann
Manifesto, the debut release from Dan Berg & The Gestalt, may be one of 2010's best recordings. The composer/keyboardist--a Brooklyn native and former student of reed man Marty Ehrlich--has created a smart, versatile and accessible collection that bridges genres and techniques, while remaining at home in the jazz idiom. With touches of Tin Hat Trio, bits ...
