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David Mott: Dragonhorn
by Karl Ackermann
Baritone saxophonist David Mott has turned out the finest solo sax recording since Anthony Braxton's Wesleyan 12 Altosolos (Hat Hut Records 1992). That is not to suggest that Mott's Dragonhorn is similar to Braxton's particular style. Mott's ten compositions are not given to episodic jumps, vibrations or anything remotely antiseptic. Rather, they are packed with emotion, ...
David Lopato: Many Moons
by Karl Ackermann
Pianist/composer, David Lopato's long career has included turns with prominent players in the fields of avant-garde jazz and classical, world music, theater, free improvisation and modern jazz. In particular, he has done outstanding jazz work with Gerry Hemingway, David Mott, Wadada Leo Smith and Joe Lovano. Given the wide and varied circles Lopato travels in, it ...
Anthony Branker & Ascent: Dance Music
by Karl Ackermann
Anthony Branker continues to experiment with the standards of large group musical tradition on Dance Music. Leading a revised version of his Ascent ensemble, the composer/musical director takes a different approach than the Latin influences on Blessings (Origin Records, 2009). Only on the last of ten tracks, “Depende," is there a composition in that vein, but ...
Seval: i know you
by Karl Ackermann
Jazz fans and speech pathologists may disagree on the technicalities, but analogies between vocals and instrumentation date back to Billie Holiday. Holiday referred to her own singing as feeling like, ..."I'm playing the horn." If validation of the theory were in doubt, Ethiopian-born, Vietnamese-raised vocalist, Sofia Jernberg lays it to rest. The very inventive vocalist is ...
Chris Crocco: The Chris Crocco Fluid Trio +
by Karl Ackermann
The best of creative modern jazz can be visualized like Providence's Waterfire: living, breathing art with the near silence of water and sizzle of fire. True to that spirit, The Chris Crocco Fluid Trio + offers both vitalizing and hushed elements in the sequence of tunes on its self-titled sophomore outing. Crocco, the southern-born, New York-based ...
Ratko Zjaca / Simone Zanchini: The Way We Talk
by Karl Ackermann
Little more than a year ago, the great Croation guitarist, Ratko Zjaca, released the terrific Continental Talk (In + Out Records 2009) with his longtime collaborator, saxophonist, Stanislav Mitrovic, and some all-star American support. Not content to follow even a highly successful formula, Zjaca has teamed with Italian accordionist Simone Zanchini, Macedonian bassist Martin Gjakonovski and ...
Bob Gluck: Something Quiet
by Karl Ackermann
Thoroughly explaining the Julliard-trained Bob Gluck would be an exhaustive analysis. An accomplished composer of electronic music, a Rabbi, an educator and historical writer, he ventured deeper into jazz with Sideways (FMR Records 2008). Only Gluck himself remains from that recording's trio, a customary piano trio configuration but with Gluck's various synthesizers included. Something Quiet presents ...
Eastern Boundry Quartet: Icicles
by Karl Ackermann
Bassist/composer Joe Fonda continues to enjoy a most eclectic career. Whether in collaboration with saxophonist Anthony Braxton, or leading an international group comprised of musicians from Europe and China, Fonda is never far from the bleeding edge of creative improvisation. In its second outing, the Eastern Boundary Quartet continues to connect musical worlds and styles. Frequent ...
Jordan Young: Jordan Young Group
by Karl Ackermann
The Brooklyn-based Jordan Young Group has an unusual lineup featuring drummer Young, guitarist Yotam Silberstein, saxophonist Joe Sucato and organist Brian Charette. Self-described as an organ group, Jimmy Smith and Jack McDuff are cited among its influences. Organ has been part of jazz since the Fats Waller days, but has never had an ongoing prominent role ...
Sebastian Liedke Trio: To Walk In The Past
by Karl Ackermann
It's possible to identify some of the more acoustic elements of the late Esbjörn Svensson's trio, e.s.t., in Berlin-based, Sebastian Liedke Trio's debut. The bassist's group appears ready to step into a creative breach, uniquely combining a strong sense of melody with imaginative variations. Within its creative process, the trio may be on its way to ...
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