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Esbjorn Svensson Trio: e.s.t. live in london
by Karl Ackermann
In the ten years since the Esbjörn Svensson Trio came to a tragic end, a handful of piano trios have shown a trace of promise in becoming successors to the eclectic pianist's group. Capturing the raw energy that coalesced jazz, classical, rock, and technique in their unique way has been elusive. Since Svensson's accidental death in ...
State and Mainstream: The Jazz Ambassadors and the U.S. State Department
by Karl Ackermann
The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...
Steve Cardenas: Charlie & Paul
by Karl Ackermann
The third season of the subscription-based vinyl label Newvelle launches with a quartet led by guitarist Steve Cardenas. A Kansas City native, he cut his teeth in that city before moving to New York in the mid-1990s. Cardenas has appeared on more than fifty albums playing with Ben Allison, Jon Cowherd, Chris Cheek, Eliane Elias, Chris ...
Stephanie Richards: Fullmoon
by Karl Ackermann
With the release of Fullmoon, trumpeter and composer Stephanie Richards joins the ranks of Susana Santos Silva, Franz Hautzinger, Peter Evans and Nate Wooley. This enlightened group of trumpeters have taken the art of the solo to new heights with various combinations of extended technique, microtonality, free improvisation and electronic/acoustic experimentation. Here, Richards touches on almost ...
Kira Kira: Bright Force
by Karl Ackermann
Pianist Satoko Fujii was playing for the Sydney Improvised Music Association in 2007 when she first crossed paths with composer/keyboardist/effects artist Alister Spence. Kindred spirits in terms of boundless musical interests, their initial collaboration took place in 2008 after their respective groups shared the stage at the Tokyo Jazz Festival. Later that year, the two recorded ...
Frank Enea & The Crooked Hearts: Sunshine In My Head
by Karl Ackermann
Frank Enea's musical resume is deep in diversity and carries some experiences that are definitely out the mainstream. His Makeshift Days (VisionX Records, 2003) was squarely oriented in rock while Hellbound Blues (ACM, 2006) was a solo guitar outing, and true to its title. But the work that Enea is best known for, exists in a ...
Cecil Taylor: 1929-2018
by Karl Ackermann
As he approached the age of ninety, Cecil Taylor could be excused for some of his indulgences. Still highly opinionated on a range of subjects; still chain smoking, still harboring old resentments, and so on. For a man from whom new ideas sprang constantly and effortlessly, Taylor could get stuck in real-world dramas. He had a ...
Aruán Ortiz Trio with Brad Jones and Chad Taylor: Live in Zürich
by Karl Ackermann
Live in Zürich is the twelfth album from Cuban avant-garde composer and pianist Aruán Ortiz. Of those recordings widely available in the US, Ortiz has worked with a variety of group formats. His quartet released Orbiting (Fresh Sound New Talent, 2013), was followed by a trio outing on Hidden Voices (Intakt Records, 2016) and two successive ...
Tyler Wilcox: Works for Two Chapels
by Karl Ackermann
Brooklyn-based composer and multi-instrumentalist Tyler Wilcox authored the two extended pieces on Works for Two Chapels, playing only on the second. The Baltimore native works in a minimalistic style and has an affinity for performing in houses of worship, where the natural acoustics become a partner in his largely improvised compositions. On this recording, Wilcox utilizes ...
Amir ElSaffar/Rivers of Sound: Not Two
by Karl Ackermann
Much has been written about Amir ElSaffar's Iraqi-American background and the influence that birthright has had on his music. The demographics, however, do little to prepare the ear for the exotic and completely distinctive sound that he creates. ElSaffar's Western and Middle Eastern amalgam of disciplines had best manifested itself in his sextet, the Two Rivers ...
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