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357

Article: Album Review

Charles Mingus: Right Now: Live At The Jazz Workshop

Read "Right Now: Live At The Jazz Workshop" reviewed by Jim Santella


With Clifford Jordan on tenor, John Handy on alto, Jane Getz on piano, and Dannie Richmond on drums, Charles Mingus went into San Francisco in 1964 and whipped up a storm. Originally issued as Debut LP 86017, this session was reissued by Fantasy (Original Jazz Classics) in 1990 on compact disc. It contains two compositions over ...

470

Article: Album Review

Miles Davis: Birth Of The Cool

Read "Birth Of The Cool" reviewed by Jim Santella


As Miles Davis has indicated in his autobiography, he was breaking away from Bird and bebop, and finding his own voice, when he formed the nonet. Davis was attempting to take the sound of an orchestra (such as Duke Ellington's or Claude Thornhill's) and produce the same sound with only nine instruments: trumpet, alto sax, baritone ...

310

Article: Album Review

Howard Johnson's Gravity: Gravity!!!

Read "Gravity!!!" reviewed by Jim Santella


Howard Johnson started his first tuba ensemble in New York City in 1968, named it Gravity a few years later, and recently released this, Gravity's first recording. Why the long delay? Because the tuba has its place in music: the rhythm, the pulse, the bottom harmony. But in the hands of 55-year-old Johnson and his five ...

178

Article: Album Review

John Stein: Hustle Up!

Read "Hustle Up!" reviewed by Jim Santella


At Berklee School of Music in Boston since 1980, guitarist John Stein has taught theory, arranging, ear training, ensembles, and composition. His debut album from 1994 includes seven original compositions and a few familiar jazz standards. With an emphasis on lyricism, Stein articulates the melody clearly on each tune and follows that with improvisations. The guitarist, ...

205

Article: Album Review

Dexter Gordon: Doin' Allright

Read "Doin' Allright" reviewed by Jim Santella


Dexter Gordon played smooth jazz before that description took on a whole new meaning. Coming up from the Lester Young and Coleman Hawkins tradition, and playing an active role in the start of bebop, Gordon spent a long, albeit interrupted, career keeping his popular tenor saxophone voice before the jazz public. In May of 1961, when ...

420

Article: Album Review

Thelonious Monk: Live At The Five Spot: Discovery!

Read "Live At The Five Spot: Discovery!" reviewed by Jim Santella


This live date, recorded in the summer of `57, features pianist and composer Thelonious Monk with John Coltrane on tenor sax, Ahmed Abdul-Malik on bass, and Roy Haynes on drums. Since it was captured on a portable tape recorder by Juanita (Naima) Coltrane, the total immersion of being in a live session pervades, with audience conversations ...

258

Article: Album Review

McCoy Tyner: McCoy Tyner: Extensions

Read "McCoy Tyner: Extensions" reviewed by Jim Santella


Three numbers on this 1970 reissue recall the classic Coltrane quartet sound, and the fourth track goes a step further, into the spiritual late period Coltrane change. Tyner's sextet here includes Alice Coltrane's harp, Wayne Shorter's tenor and soprano, Gary Bartz' alto, Elvin Jones' drums, and Ron Carter's bass.A powerful virtuoso, McCoy ...

455

Article: Album Review

Charles Mingus: Mingus In Wonderland

Read "Mingus In Wonderland" reviewed by Jim Santella


This live date, recorded January 16, 1959 at Nonagon Art Gallery in New York City features John Handy on alto sax, Booker Ervin on tenor sax, Richard Wyands on piano, Dannie Richmond on drums, and Charles Mingus on bass. It's a chance to hear Mingus the bassist and Mingus the leader in action with a small ...


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