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324

Article: Album Review

Wynton Marsalis and the Lincoln Center Jazz Orchestra: Blood On The Fields

Read "Blood On The Fields" reviewed by Jim Santella


The patriotic red, white and blue packaging, the 1994 theater premier, the 1995 recording, the 1997 international tour and announcement of the Pulitzer Prize for Music have provided this three-CD presentation of Wynton Marsalis' jazz oratorio considerable publicity around the world. The team effort utilizes key solo work from everyone in the orchestra to support the ...

215

Article: Album Review

Joe Sullivan: Rumours From The Soul

Read "Rumours From The Soul" reviewed by Jim Santella


A sextet lineup allows for the extra saxophone sound that means more harmony, more color, and a fuller aural picture. And yet there's clearly an ease of control because the ensemble is still small enough to work together well and allow for soloists to stretch out. Trumpeter Joe Sullivan brings his sextet of saxophonists Andre Leroux ...

186

Article: Album Review

T.S. Monk: Monk On Monk

Read "Monk On Monk" reviewed by Jim Santella


Employing Don Sickler's transcriptions and arrangements, T.S. Monk's ten-piece ensemble sounds like a big band; saxophones, trumpets, trombones and rhythm section combine to interpret Thelonious Monk's compositions. Focusing on tunes Monk wrote for family and friends, the ensemble delivers “Little Rootie Tootie," written for his son, “Boo Boo's Birthday," written for his daughter Barbara's birthday, “In ...

450

Article: Album Review

Roy Hargrove: Habana

Read "Habana" reviewed by Jim Santella


From the cigar band across the cover of the compact disc to the inclusion of Cuban pianist and leader Chucho Valdes, as well as the title itself, Roy Hargrove's change in direction toward irresistible dance music in the Afro-Cuban tradition has fans all over wondering, “Is this for real?" Yes, it certainly is, and the appearance ...

374

Article: Album Review

Mads Vinding: The Kingdom

Read "The Kingdom" reviewed by Jim Santella


If this session were to be described in just one word, that would be “Power." Hard-bop specialists Mads Vinding and Alex Riel have both recorded with Dexter Gordon and have each played powerful, yet straight-ahead jazz for over thirty years. Drummer Riel has worked with hard bop leaders such as Jackie McLean, Michael ...

238

Article: Album Review

Art Farmer: Live At Stanford Jazz Workshop

Read "Live At Stanford Jazz Workshop" reviewed by Jim Santella


“The Professor" Art Farmer presented a set of straight-ahead jazz for the 25-year old Stanford Jazz Workshop last summer along with tenor saxophonist Harold Land, San Francisco area pianist Bill Bell, bassist Rufus Reid and drummer Tootie Heath. Although Farmer now resides in Vienna, the ensemble shares a working knowledge of hard bop ...

142

Article: Album Review

Dmitri Matheny: Penumbra (The Moon Sessions)

Read "Penumbra (The Moon Sessions)" reviewed by Jim Santella


Dmitri Matheny and Dave Ellis are tight. Their flugelhorn and tenor saxophone complement each other well, providing harmony, added color, and tonal variety. With a theme album that refers to the majestic beauty of the moon's presence in the sky that we all experience -- a common bond around the world -- the ...

454

Article: Album Review

Lou Donaldson: Good Gracious!

Read "Good Gracious!" reviewed by Jim Santella


The organ combo has a distinct sound, one like no other. Lou Donaldson discovered Grant Green and Big John Patton, recommended them to Blue Note (in effect, initiating their recording careers), and produced some mighty fine recordings in their company. Both Donaldson and guitarist Green have listed Charlie Parker as a prime influence, ...

346

Article: Album Review

Kurt Elling: The Messenger

Read "The Messenger" reviewed by Jim Santella


Kurt Elling is different. He rants. In the liners, the singer defines the term to mean “improvising both the melody and lyrics simultaneously." With saxophonist Ed Peterson conversin', Elling shouts unrelated words and phrases as they pop into his mind. “Icebergs." “Viruses." “Planets." “Ice cream." Peterson is improvising, Elling is shouting, and he is also crooning ...

241

Article: Album Review

Gerald Wilson: Jenna

Read "Jenna" reviewed by Jim Santella


The catchy melody of the title tune, coupled with its lively rhythm and intricate harmonic structures, pretty well sums up the music of this 78-year-old big band master. Over the years Gerald Wilson has managed to create some very successful compositions and arrangements, and at the same time maintain a rather stable big band ...


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