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Album

Air Raid

Label: Candid Records
Released: 2011
Track listing: 1. Air Raid - 11:56; 2. Midnight Sun - 7:05; 3. Release - 16:31; 4. Through a Keyhole Darkly - 7:20. Tutte le composizioni sono di Henry Threadgill.

Album

This Brings Us to Volume II

Label: Pi Recordings
Released: 2011
Track listing: 01. Lying Eyes; 02. This Brings Us To; 03. Extremely Sweet William; 04. Polymorph; 05. It Never Moved.

82

News: Performance / Tour

Henry Threadgill's ZOOID at Roulette (Brooklyn) from November 30 to December 2

Henry Threadgill's ZOOID at Roulette (Brooklyn) from November 30 to December 2

Henry Threadgill's ZOOID featuring Liberty Ellman (acoustic guitar), Jose Davila (trombone and tuba), Stomu Takeishi (acoustic bass guitar) and Elliot Humberto Kavee (drums). November 30-December 2, 8pm Roulette 509 Atlantic Ave Brooklyn, NY 917.267.0368 Directions 2/3/4/5/A/C/G/D/M/N/R/B/Q trains & the LIRR $25/$15 members/students/seniors (attend two nights and ...

142

Article: Live Review

Enjoy Jazz, 13th Edition: Heidelberg/Mannheim/Ludwigshafen, Germany, October 27-November 1, 2011

Read "Enjoy Jazz, 13th Edition: Heidelberg/Mannheim/Ludwigshafen, Germany, October 27-November 1, 2011" reviewed by John Kelman


Enjoy Jazz FestivalMannheim/Heidelberg/Ludwigshafen, GermanyOctober 27--November 1, 2011 It's always great to return somewhere that has become an annual port of call, but it's particularly nice to return to Germany's Enjoy Jazz, that atypical jazz festival which--rather than running for a week and concentrating a whack of shows in that short time frame--runs ...

156

Article: Live Review

Guelph Jazz Festival: Guelph, Canada, September 7-11, 2011

Read "Guelph Jazz Festival: Guelph, Canada, September 7-11, 2011" reviewed by Sara Villa


Guelph Jazz Festival, Colloquium & Nuit Blanche Guelph, Canada September 7-11, 2011 As Prez used to say, if you are a good improviser you are able to tell a soulful story. What happens, then, when some of the most experimental improvisers from Canada, Australia, Norway, and England (among the others) are involved in ...

168

Article: Album Review

Jason Kao Hwang / EDGE: Crossroads Unseen

Read "Crossroads Unseen" reviewed by Karl Ackermann


Composer/violinist, Jason Kao Hwang has been firmly establishing his credentials in free jazz since his quartet, EDGE, released its self-titled debut (Asian Improv, 2006). His résumé includes work with genre luminaries William Parker, Anthony Braxton, and Henry Threadgill. There are inevitable comparisons to Billy Bang, with whom Hwang has also played, but the two masters typically ...

115

News: Recording

Tyshawn Sorey's "Oblique-I" Coming out on Pi Recordings September 27th

Tyshawn Sorey's "Oblique-I" Coming out on Pi Recordings September 27th

Oblique—I, the highly anticipated new release from drummer/composer Tyshawn Sorey, delivers what his fans have long been seeking: an album that combines his virtuosic playing with his compositional mastery. Named one of “Five Drummers Whose Time is Now" by The New York Times, Sorey recently received his MA in Composition from Wesleyan University where he studied ...

136

Article: Album Review

Bob Gluck Trio: Returning

Read "Returning" reviewed by Henry Smith


The piano trio can be a difficult format for free playing. It is too easy for the piano, so easily a dominating instrument, to overshadow the bassist and drummer, rendering them as backup to the more harmonically complex keyboard. This is fine, and an enormous amount of great music has been made in this format, but ...

249

Article: Live Review

16th Litchfield Jazz Festival: Kent, CT, August 5-7, 2011

Read "16th Litchfield Jazz Festival: Kent, CT, August 5-7, 2011" reviewed by Sandy Ingham


Litchfield Jazz Festival Kent, CT August 5-7, 2011 “I like to save the best for last," saxophonist Jimmy Heath told the crowd near the end of his big band's grand finale set at the Litchfield Jazz Festival on Sunday, Aug. 7, 2011. It was a successful strategy, not only for Heath's ...

378

Article: Album Review

Boom Box: Jazz

Read "Jazz" reviewed by Henry Smith


Free jazz can have some fairly antisocial connotations. Too often, the term raises an undeserved fear in the uninitiated, as freedom can be scary. That hardly necessitates that it lack beauty, lyricism or intimacy, however; it simply means that those traits are arrived at by organic means rather than controlled ones. Few artists ...


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