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Jean-Marc Hebert: L'Origine Eclatee
by Dan McClenaghan
Montreal-based guitarist Jean-Marc Hebert's third album, L'Origine Eclatee, sounds like something out of the ECM Records catalog. He is joined by trumpeter Lex French, bassist Morgan Moore and drummer Pierre Tanguay, forming a patient, subdued chamber jazz atmosphere that opens the first of the Hebert originals, “La Deteinte." The tune shimmers. Understatement is the plan of ...
Bill Anschell: Improbable Solutions
by Dan McClenaghan
Most fans of Seattle-based pianist Bill Anschell will not see this one coming. His comfort zone on his own recordings has been as a mainstream acoustic jazz artist, on albums like Shifting Standards (2018), a piano trio affair, Rumbler (2017) and Figments (2011), a solo piano outing. All of these were released on Origin Records.
Blaer: Pure
by Dan McClenaghan
Swiss pianist Maja Nydegger sounds like a musical first cousin to Nik Bartsch. With his groups Ronin and Mobile, pianist Bartsch create intriguing ritual groove music and Zen funk--descriptors Bartsch has used for his style--stirred up with modern classical sounds. Nydegger, with her group Blaer, crafts a similar mode of expression on her fourth album, Pure, ...
Dan McClenaghan's Best Jazz Albums Of 2023
by Dan McClenaghan
The top jazz recordings of the year in the order (more or less) that they came in the door. Concerning the recorded jazz offerings in in 2023, we could quote Frank Sinatra singing Ervin Drake's lyrics in the 1966 Grammy winner: “It was a very good year." It is difficult to pick a favorite. These are ...
Andrew Rathbun: The Speed Of Time
by Dan McClenaghan
Not one to avoid concepts and ambitious outings, Andrew Rathbun's to-date masterpiece, The Atwood Suites (Origin Records, 2018), explored the poetry of his countrywoman, writer Margaret Atwood. In 2023, he tackles time. Time is a funny thing. Its perceived speed is malleable. It tends toward an increasing velocity as one moves into middle age ...
Tsuyoshi Yamamoto Trio: A Shade Of Blue
by Dan McClenaghan
Japanese pianist Tsuyoshi Yamamoto's Shade Of Blue is a classic trio outing, old school style. It sounds as if the ghost of Red Garland is hanging around, and Erroll Garner and Wynton Kelly are keeping him company. Yamamoto's trio, which includes bassist Hiroshi Kagawa and drummer Toshio Osumi--venerable musicians all--lays down a flawless set of familiar ...
Philippe Cote / Francois Bourassa: Confluence
by Dan McClenaghan
Confluence, on its surface, may come off as a minor work of art. It is the juxtaposition of just two instruments--saxophone and piano--braiding sounds together in what seems an improvisational mode. Francois Bourassa stays in the piano chair. Philippe Cote's seating arrangement shifts between tenor and soprano saxophones, piano and prepared piano. But the limitation of ...
Trio San: Hibiki
by Dan McClenaghan
Put a vibraphone into a small ensemble, listen in and the label “exotica" might come up--that exotic music pioneered by Martin Denny and Juan Garcia Esquivel. The pairing of pianist Satoko Fujii and vibraphonist Taiko Saito--a duo they call Futari--on their two terrific albums, Beyond (2021) and Underground (2022), both on Libra Records, sounded like exotica ...
Kevin Sun: The Depths of Memory
by Dan McClenaghan
Saxophonist/composer Kevin Sun's 2 CD set, The Depths Of Memory, is said to be more suited to focused listening than to the “convivial distractions of a jazz club." That rings true. From CD 1's opener, “All This Stillness," subdivided into seven sections, the album finds the saxophonist and his bandmates sounding as if they have slipped ...
John Bishop / Bram Weijters / Piet Verbist: Antwerp
by Dan McClenaghan
Drummer John Bishop, the guy who runs Seattle's Origin Records, does not often put out records under his own name. There was Nothing If Not Something (Origin Records) in 2005, review here, and then nothing until the disc at hand, 2023's Antwerp. Not that Bishop has avoided the recording studio. He is, as a sideman, in ...
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