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Coleman Hawkins: Fifty Years Gone, A Saxophone Across Time
by Arthur R George
Fifty years ago this past year, Coleman Hawkins, considered the father of tenor saxophone in jazz, passed away. Thelonious Monk was pacing back and forth in the hallway outside Hawkins' hospital room when the saxophonist succumbed at age 64 on the morning of May 19, 1969, from pneumonia and other complications. Monk was holding a short ...
Peter Brötzmann: I Surrender Dear
by Mark Corroto
You can forgive yourself if you get the feeling that you're a bit of a voyeur while listening to I Surrender Dear, the solo recording by saxophonist Peter Brötzmann. This sense of eavesdropping is due to the intimate sounds and the great man's choice of music. This intimacy is not something you generally associate with Brötzmann's ...
Results for pages tagged "Coleman Hawkins"...
Dean Tsur
Born:
Dean Tsur is an award-winning saxophonist, composer, and bandleader originally from Israel and based out of New York.
Dean is a semi-finalist in the Thelonious Monk Competition and winner of the North American Saxophone Alliance Competition and Carinthian International Jazz Award. Dean has performed with GRAMMY winners Roy Hargrove and Wynton Marsalis, and has played at iconic venues including Dizzy’s Jazz Club, Minton’s Playhouse, and Smalls, amongst others.
Dean has toured Europe, Asia, and America and has performed at various festivals including the James Moody Jazz Festival, Caramoor Jazz Festival, and Tel Aviv Jazz Festival, amongst others.
Dean holds master's and bachelor's degrees from The Juilliard School
Jazz Musician of the Day: Coleman Hawkins
All About Jazz is celebrating Coleman Hawkins' birthday today! Coleman Hawkins single-handedly brought the saxophone to the prominence in jazz that the instrument enjoys. Before he hit the scene, jazz groups had little use for the instrument. One player (forgot who) said, “with all due respect to Adolph Sax, Coleman Hawkins invented the saxophone." Hawkins, or ...
Dave & McClenty's Road Trip, More Newk, A Vault Deep Dive & More
by Marc Cohn
Getting you revved up for Dave Stryker & McClenty Hunter visiting southern Louisiana (October 22nd at Chorum Hall in Baton Rouge; Oct 23rd at the Sandbar @ UNO and Oct 24th at Snug Harbor in New Orleans). Our Sonny Rollins celebration continues with tracks from Sonny Rollins + 4 (with Clifford Brown & Max Roach). And ...
Coleman Hawkins, Oscar Pettiford and More
by Joe Dimino
This week we start with veteran Toronto jazz sax cat Joey Berkley and then move to legends like Sonny Rollins, Coleman Hawkins, Clifford Brown and Louis Armstrong. We also profile new work by Dave Bass, Gretje Angell, Miguel Zenón and Roberto Magris. From there, we hear some Twin Peaks music from Johnny Jewel and wrap it ...
Norman Granz and Verve Records (1944 - 1962)
by Russell Perry
In July 2, 1944, Norman Granz, a jazz fan and small-time LA promoter staged a concert in the Philharmonic Auditorium with $300 of borrowed money. His “Jazz at the Philharmonic" concerts were hugely successful and became tours that ran until 1957. These tours and the record labels they spawned—Clef, Norgran and especially Verve—became home to many ...
This Will Make You Laugh - Famous Jazz Fathers and Their Children
by Mary Foster Conklin
The Fathers Day broadcast included new releases from Ayelet Rose Gottlieb, Roxy Coss, Anat Cohen and Camila Meza, with birthday shout outs to the songwriters Irene Higgenbotham, Ivan Lins and Cy Coleman, pianists Geri Allen, Monika Herzig and Daryl Sherman, vocalists Nancy King, Alicia Olatuja, and harpist Carol Robbins, among others. Plus we hear from some ...
Rich Halley: Terra Incognita
by Dan McClenaghan
Saxophonist Rich Halley usually sticks with his steady crowd. Indeed, when tallying Halley's collaborative compadres over the past couple of decades, his list of “recorded with" players comes down to a handful of names: drummer Carson Halley, trombonist Michael Vlatkovich and bassist Clyde Reed. Add cornetist Bobby Bradford on a couple of outings. The same for ...
The Black Swan: A History of Race Records
by Karl Ackermann
Montgomery, Alabama native Perry Bradford was an African-American composer and vaudeville musician when he approached General Phonograph Company, Director of Artists, Fred Hagar in 1920. Bradford was pitching Mamie Smith, a relatively unfamiliar pianist and singer from Cincinnati, Ohio, and Hagar agreed to a two-side recording deal. Widely regarded as a blues singer, Smith more frequently ...
