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Article: Album Review

Cliff Brucker: Full Circle, Vol. 2

Read "Full Circle, Vol. 2" reviewed by Dan McClenaghan


Drummer Cliff Brucker is based in New York, but it is not the big city. He and his crack quintet--two horns, piano/bass/guitar drums--are settled in upstate, in Albany. They revisit the sound of the Blue Note Records' heyday on this follow up to Full Circle (Self Produced, 2016), with Full Circle, Vol 2. A ...

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Article: Album Review

Tia Fuller: Diamond Cut

Read "Diamond Cut" reviewed by Hrayr Attarian


The engaging and enjoyable Diamond Cut is saxophonist Tia Fuller's fifth release as a leader and the first without a pianist. Fuller deftly fronts a different rhythm section on each half of the album. The only constant is guitarist Adam Rogers, whose restless, explorative style is the perfect foil for Fuller's ardent, poetic wit.

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Article: Album Review

Noam Wiesenberg: Roads Diverge

Read "Roads Diverge" reviewed by Geno Thackara


A title such as Roads Diverge probably isn't surprising from someone as well-traveled as Noam Wiesenberg. The sound largely sticks to one category--mostly-acoustic contemporary jazz with a high dose of rollicking cheer--and yet still reflects how much the young bassist has learned from his travels through life so far. The confident smoothness, eclectic writing-style and casting ...

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Article: Album Review

Gideon King: Upscale Madhouse

Read "Upscale Madhouse" reviewed by Paul Naser


The single “Fake It On Facebook" from Gideon King's forthcoming release, Upscale Madhouse is the ideal ambassador for the rest of the album. It encapsulates all the evolutions his writing has gone through since his last release, City Blog, while it showcases his unique musical and lyrical style. In addition to King's preferred style ...

Article: Album Review

Odwalla: Ancestral Ritual

Read "Ancestral Ritual" reviewed by Neri Pollastri


Nuovo album dal vivo per Odwalla, gruppo di percussioni guidato da Massimo Barbiero, che stavolta ha con sé due ospiti speciali tra loro assai diversi --Baba Sissoko e Gaia Mattiuzzi --i quali, arricchendo la tavolozza espressiva, contribuiscono a offrire interpretazioni particolari dei brani in programma, tutti già parte del repertorio della formazione (e non solo, perché ...

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Article: Album Review

Dexter Gordon Quartet: Tokyo 1975

Read "Tokyo 1975" reviewed by C. Michael Bailey


Elemental Music is a record label that can be uttered in the same breath with Omnivore Records and Resonance Records. These labels can be credited with significant additions to the universal jazz catalog. Near recent examples of unreleased performances put out by Elemental Music include: Art Pepper Live At Fat Tuesday's (2015) and Red Garland's Swingin' ...

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Article: Album Review

Mabuta: Welcome To This World

Read "Welcome To This World" reviewed by Dan Bilawsky


If the eyes are the windows to the soul and a portal opening to reality and closing on dreams, then the eyelids can be seen as the gatekeepers to such worlds. Mabuta--a genre-merging band taking its name from the Japanese word for eyelid--has a keen understanding of that concept. Shane Cooper, the mastermind behind this group, ...

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Article: Album Review

The Mystery Of The Bulgarian Voices: BooCheeMish

Read "BooCheeMish" reviewed by Chris May


Extraordinarily, given the global success of the Bulgarian State Television Female Vocal Choir's idiosyncratic and uplifting Le Mystère Des Voix Bulgares (4AD, 1986), this is the BSTFVC's first release of newly recorded material in over two decades. It is another triumph, recapturing the magic, and much of the quirky harmolodic signature, of the ensemble's acapella debut ...

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Article: Album Review

David Sylvian and Holger Czukay: Plight & Premonition / Flux & Mutability

Read "Plight & Premonition / Flux & Mutability" reviewed by Geno Thackara


Names like Brian Eno or Steve Roach may most readily come to mind where classic ambient recordings are concerned, but there has never been a shortage of similarly fascinating material floating around under the radar, quietly and unobtrusively waiting to reach the right ears. The pair of late-80s LPs by David Sylvian and Holger Czukay make ...

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Article: Album Review

Charles Lloyd &The Marvels + Lucinda Williams: Vanished Gardens

Read "Vanished Gardens" reviewed by Mark Sullivan


At age 80 legendary saxophonist/composer Charles Lloyd shows no signs of slowing down. In addition to his New Quartet--most recently documented on Passin' Thru (Blue Note Records, 2017)--he has collaborated with the Greek singer Maria Farantouri on Athens Concert (ECM, 2011); played duets with Quartet pianist Jason Moran on Hagar's Song (ECM, 2013); and produced a ...


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