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457

Article: Album Review

Bobby Selvaggio: Modern Times

Read "Modern Times" reviewed by Jim Santella


Alto saxophonist Bobby Selvaggio carries an expressive torch when he fronts this ensemble. His fifth CD as leader brings nine original pieces and a cover of “You've Changed" into the improvisation arena for a program of acoustic modern jazz that ranges from quirky and dynamic to bluesy and frank. His fluid tone and easygoing articulation carry ...

625

Article: Live Review

Freihofer's Jazz Festival: One Great Weekend

Read "Freihofer's Jazz Festival: One Great Weekend" reviewed by R.J. DeLuke


Freihofer's Jazz FestivalSaratoga Springs, New YorkJune 27-28, 2009Freihofer's Jazz Festival, in its 32nd year, provided an outstanding array of music and musicians and added to its legacy--started by George Wein in 1978--in fine fettle on June 27 and 28 in the upstate New York community of Saratoga Springs. For producer Danny ...

401

Article: Album Review

Rick Germanson Trio: Off the Cuff

Read "Off the Cuff" reviewed by John Kelman


With so many mainstream piano trios flooding the market, it's increasingly difficult to separate the wheat from the chaff. It's easier when, in the instance of a Brad Mehldau, John Taylor or Enrico Pieranunzi, the artist's voice is so distinctive and approach so readily identifiable that there can be little doubt of its relevance. It becomes ...

197

Article: Album Review

Nick Hempton Band: Nick Hempton Band

Read "Nick Hempton Band" reviewed by David Miller


Nick Hempton. The name even sounds old school, doesn't it? From the opening notes of the alto saxophonist's debut, Nick Hempton Band, it is clear that Hempton and his quartet are after that old Blue Note feel and sound. And, for the most part, they succeed. This is a turn-back-the-clock, no-holds-barred blowing session. And what's more, ...

194

Article: Album Review

East West Quintet: Vast

Read "Vast" reviewed by Glenn Astarita


Enthusiastic youth coupled with solid musicianship and strong compositions offer the winning edge by this Brooklyn, New York-based ensemble that started in 2003 as a bop unit inspired by Cannonball Adderley. Time marches on and now this quintet delves into that opaque line that teeters between jazz-rock and jazz-fusion. Recorded to two-inch tape, the band projects ...

422

Article: Album Review

NOMO: Invisible Cities

Read "Invisible Cities" reviewed by Chris M. Slawecki


Invisible Cities is NOMO's companion piece to Ghost Rock, comprising music recorded during Ghost's recording sessions and subsequent, supporting live performances. Cities uses many of the same musicians, structures, and approaches, but Bergman and NOMO seem to focus more on pulling traditional jazz sounds into, and pushing the boundaries of electronic rock out of, its swirling ...

651

Article: From the Inside Out

World-ly, and Otherworldly, Beats From the Inside Out

Read "World-ly, and Otherworldly, Beats From the Inside Out" reviewed by Chris M. Slawecki


Leonardo E. M. Cioglia Contos Quizamba Music 2008 The following words probably do Brazilian bassist, composer and bandleader Leonardo E. M. Cioglia no favors, because it lays the weighty burden of expectation upon him and his group of young musicians. But no other words say precisely this: Contos showcases an ...

163

Article: Album Review

Rob Thorsen: Lasting Impression

Read "Lasting Impression" reviewed by Jerry D'Souza


Bassist Rob Thorsen became interested in jazz when he heard Dave Brubeck, Cannonball Adderley and Rahsaan Roland Kirk. The acoustic bass, which he discovered when he was in his twenties, became his instrument of choice as he began his career as a performer on a cruise ship. On Lasting Impression, his fourth CD as leader, Thorsen ...

560

Article: Multiple Reviews

Hubbard / Henderson / Corea / Clarke / White: Echoes of a Hard Bop Era

Read "Hubbard / Henderson / Corea / Clarke / White: Echoes of a Hard Bop Era" reviewed by Carl L. Hager


Wolf & Rissmiller's Country Club, April 7, 1982. Walking forward to the front of the stage, producer and drummer Lenny White held a microphone to his lips to announce the members of the band. “I'd like to take this opportunity to introduce you to the world's greatest musicians..." A subjective statement, yes, but he had a ...

636

Article: Take Five With...

Take Five With Marc Brenken

Read "Take Five With Marc Brenken" reviewed by AAJ Staff


Meet Marc Brenken:Marc Brenken (born June 17th, 1973) started to play piano at the age of eight and has constantly been developing his own musical language since his studies at the Folkwang Academy of music in Essen, Germany. In 2006 his debut cd eight short stories (with his quartet featuring trumpeter Christian Kappe) was ...


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