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The Rempis Percussion Quartet: Cash And Carry
by John Sharpe
Ornette Coleman was one of the first to use two drummers in a smaller ensemble for his seminal double quartet Free Jazz (Atlantic, 1961). In doing so they established the template for dual interaction, as Ed Blackwell majored on drum patterns while Billy Higgins emphasized the cymbals. While the format has become much more widespread as ...
Francois Carrier/Michel Lambert: iO
by Mark Corroto
Listening to the nine improvised duets on saxophonist François Carrier and Michel Lambert's latest release iO, one gets the sense the creative process comes not from friction, but from friendship. The music isn't forged from a skirmish, like, say a Peter Brotzmann/Han Bennink record might be. It has more in common with Charles Lloyd's duo with ...
Ornette Coleman, 1930-2015
Ornette Coleman, whose forthrightness and conviction helped change the course of jazz, died today in New York. He was 85. To many, the alto saxophonist, composer and bandleader seemed to have come from nowhere, or outer space, when his first albums appeared in the late 1950s. In fact, his style—inevitably called ”iconoclastic” by his early critics, ...
Donald Vega "With Respect To Monty" out July 10 on Resonance Records
A tribute to the great living master, jazz pianist Monty Alexander In celebration of the Jamaican jazz icon, Monty Alexander, pianist Donald Vega puts together a hard-swinging compilation of Monty's great, early compositions. With Respect To Monty features an all-star lineup of Anthony Wilson (guitar), Hassan Shakur (bass) and Lewis Nash (drums). Since his debut on ...
That Old East Coast-West Coast Thing
Following yesterday’s Rifftides post announcing the Jazz Journalists Association poll winners, vibraphonist Charlie Shoemake commented: Randy Weston has had a long and distinguished career as have many of the other deserving award winners. Just curious, though, if any jazz artists from the west coast have ever been or ever will be recognized. It always seems in ...
Burt Eckoff: A Pianist's Close Encounters With the Greats of Jazz
by Idelle Nissila-Stone
Active in the New York City jazz scene since the 1960s, pianist Burt Eckoff played with many jazz greats, among them Howard McGhee, Maynard Ferguson, Art Blakey, Sonny Stitt and Archie Shepp. He is known for exceptional artistry in his work with vocalists Dionne Warwick, The Drifters, Eddie Jefferson, and most importantly Dakota Staton, with whom ...
Andy Sheppard: Tales From the Bristol Underground Jazz Revolution
by Ian Patterson
"Jazz has always been an underground thing. It doesn't have the power and might of opera, but it should," says Andy Sheppard, shortly after the UK premier of Surrounded by Sea (ECM, 2015) at the Bristol Jazz & Blues Festival. “Everyone in the music industry has a respect for jazz music, and they should, I think, ...
John Engels: Looking Back, Moving Forward
by Joan Gannij
Drummer John Engels has the energy of two forty-year olds, which is pretty impressive, since he will soon be turning 80. He will celebrate this auspicious occasion with the Vogel Vrij (Free as a Bird) tour, a series of concerts at diverse venues throughout the Netherlands (with saxophonists Benny Golson and Benjamin Herman) which began in ...
I 10 CD nel CD player di... Francesco Chiapperini
by Vincenzo Roggero
01. Charlie Haden -Liberation Music Orchestra (Impulse! -1969). Il lirismo della Liberation Orchestra di Charlie Haden e di Carla Bley racconta in maniera moderna lo spirito della guerra civile spagnola attraverso composizioni che trasudano di sofferenza, ma anche di speranza. A cucire il filo del free jazz che unisce i diversi brani del disco spiccano ...
Ernesto Cervini: Turboprop
by Edward Blanco
Toronto jazz drummer Ernesto Cervini presents his fourth album as leader with the high-flying Turboprop offering a sophisticated modern jazz sound in a ten-piece repertoire of originals and standard material from the likes of Charlie Parker and Keith Jarrett among others. A robust drummer with a forceful presence on the drums, Cervini's style is reminiscent of ...
