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Bill Frisell: Ghost Town
by Mark Corroto
Bill Frisell has settled into a sound he is comfortable with. The guitarist was known in the eighties for an eclectic mix of sounds. He thrashed with John Zorn's Naked City and Powertools, played bebop with Joe Lovano and Paul Motian, and generally mixed it up with New York's Downtown crowd. Since relocating to Seattle in ...
Ron Carter: Brazilian Charm
by AAJ Staff
All About Jazz: You have said that Brazilian changes are different from the ways that Americans adapt Brazilian tunes. Do you think you were true to the Brazilian changes in your latest album, Orfeu? Ron Carter: Absolutely. Definitely. AAJ: What's different about Brazilian changes that Americans can't seem to grasp?
Good Dog, Happy Man
By Bill Frisell
Label: Nonesuch Records
Released: 1999
Track listing: Rain, Rain; Roscoe; Big Shoe; My Buffalo Girl; Shenandoah (for Johnny Smith); Cadillac 1959; The Pioneers; Cold, Cold Ground; That Was Then; Monroe; Good Dog, Happy Man; Poem for Eva.
Inside
Label: Cristal Records
Released: 1999
Track listing: Corners (For Herbie);
Day Dreaming;
Trance;
Brother Ray;
Lisa;
When I'm With You;
Naked Moon;
Cane;
Ain't No Sunshine;
Miss You.
Bill Frisell: Good Dog, Happy Man
by Douglas Payne
Every note Bill Frisell plays--or suggests--offers an impressionistic soundtrack of the American vernacular. It is jazz only in the way improvisation is a reflection of sensibilities. But Frisell's music is really not just jazz. It swings over a wide swath of American musical forms: jazz, rock, grunge, blues, country, folk, bluegrass, even commercial orchestration. Call it ...
Angel Song
Label: ECM Records
Released: 1997
Track listing: Nicolette; Present Past; Kind Folk; Unti; Angel Song; Onmo; Nonetheless; Past Present; Kind Of Gentle.
![Full Moon [Feat. New York Voices, Mark Egan]](https://s3.amazonaws.com/allaboutjazz/coverart/large/a07a6f1d5edcd6c801f0e1c3b527da37.jpg)
