9

Satoko Fujii: Stone

Dan McClenaghan By

Sign in to view read count
The turning of the calendar page to the year 2019 presented a dilemma for pianist/composer/bandleader Satoko Fujii: how to follow up her 2018 CD release-per-month marathon in celebration of her sixtieth birthday—called kanreki in Japan. Would she be tapped out or wearied after the frenetic release pace of the previous year? Or would the relentless creativity sharpen her sense of focus, give a boost to her idea of "what comes next?"

For Fujii, not surprisingly, it was the latter.

She opens the year 2019 the same way she opened her kanreki year, with a solo piano offering. But 2019's Stone couldn't sound more different from Solo (Libra Records, 2018), a straightforward outing that is one of her most accessible recordings, full of lyrical beauty and a mesmerizing elasticity of delivery and touch. Stone is another entity altogether, a sonic examination of the piano, the entire instrument—the strings, the metal frame that holds them, the wooden body—in an unfettered extended technique fest.

Fujii's stated reason for being is to create sounds/music that have never been heard before. She consistently achieves that goal, especially with Stone. Opening with "Obsius," Fujii manipulates her instrument to create a sound that seems a cross between distant thunder and a muted orchestral warm-up, with understated harp-like proclamations and spare statements on the piano keys. Then the thunder becomes a gentle roar of surf, pierced by prepared piano notes.

"Trachyte" opens with an eerie drone that sounds like a feedback malfunction of a guitar amplifier with, eventually, harpsichord-like (prepared piano strings) interjections that might elicit ruminations concerning exactly how Fujii creates these noises. Her "inside the piano" workings include wands and mallet-like tools, touches and frictions that set off washes of vibrations heretofore unknown, unheard.

And, as author Kurt Vonnegutt once said, "So it goes."

The entirety of Stone is an otherworldly stew of sounds. From dense, impending doom of "Lava," to the spacious, delicate piano notes tinkling out of an ear-stinging buzz on the opening of "Eternity," Fujii achieves her goal again, of making music no one has heard before.

Track Listing: Obsius; Trachyte; Biotite; River Flow; Shale; Phonolite; Lava; Icy Wood; Piemontite Schist; Chlorite; Basalt; Sand Stone; Marble; Ice Waterfall; Eternity.

Personnel: Satoko Fujii: piano.

Title: Stone | Year Released: 2019 | Record Label: Libra Records

Tags

Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Related Articles

Read Bear Garden
Bear Garden
By Geno Thackara
Read Janapati
Janapati
By Chris M. Slawecki
Read Cast Of Characters
Cast Of Characters
By Dan McClenaghan
Read Fruits Of Solitude
Fruits Of Solitude
By Mark Corroto
Read Passion: Latin Jazz
Passion: Latin Jazz
By C. Michael Bailey
Read Stay Good
Stay Good
By Chris M. Slawecki