89

Paradox Trio: Source

David Adler By

Sign in to view read count
The Paradox Trio, founded and led by woodwinds player Matt Darriau, is one of the truly outstanding groups active within New York’s downtown avant-garde scene. Actually a quartet, the band consists of Darriau on saxophones and clarinets, Brad Shepik on guitars, Rufus Cappadocia on five-string electric cello, and Seido Salifoski on dumbek and other hand percussion. Under Darriau’s visionary leadership, these musicians blend influences from the Balkans, Eastern Europe, Turkey, Greece, and beyond, infuse them with the improvisational aesthetics of jazz, and create an integrated sound that is entirely their own. Source is their third release, following 1995’s eponymous debut and 1997’s Flying at a Slant. All are excellent. This time around, says an inscription on the CD backing, the band sets out to explore "the common ground shared by Balkan and Klezmer musical traditions."

Relatively few of the tunes are wholly original. Darriau wrote the opener, "Turkic," as well as "Ghost Dance." Shepik wrote the "Honga" portion of "Hora/Honga." The other tracks are either Darriau’s or the group’s arrangements of arcane source material, some of it dating back to recordings made early in this century, some of it dating back much farther. The detailed liner notes prove helpful in sorting it all out. Thus we learn the names of the various forms that typify this music: the terkisher, the kalamatiano, the hora, the ciftetelli, the hassapiko, the doina. Some of it is in waltz time, some in a driving, danceable four. "Wounds" is a slow, mournful 7/8.

"Ozi Vezimrat Ya" is Shepik’s arrangement of a beautiful Yemenite song; Shepik plays saz, a Turkish stringed instrument, while Darriau plays the kaval, an "end-blown Bulgarian shepherd’s flute." The combined sound of these two instruments is remarkable, and Salifoski’s finesse on the dumbek is amply demonstrated. On "Ghost Dance" Shepik plays Bulgarian tambura, a fretless instrument with a vaguely sitar-like sound. "Üsküdar," a Turkish standard from the 20s, features Shepik on electric saz and Lorin Sklamberg of The Klezmatics singing beautifully in the Turkish language. The inclusion of vocals is a first for the group. Other vocal features are "Alts Far Gelt," a lively klezmer with Sklamberg singing in Yiddish, and "Bocet Doina," a hypnotic rubato theme sung by Romanian vocalist Margareta Paslaru.

Instrumental tracks such as "Turkic," "Wounds," "Hora/Honga," and "Oriental Suite" bear more resemblance to the chops-intensive sound of Paradox’s first two records. Angular, fast, exotic melodies are played in unison by horn and guitar. Shepik’s frequent use of fuzztone is a good example of how the group brings West and East provocatively into contact. Cappadocia primarily plays his cello pizzicato, with a sound not unlike an upright bass in the Eddie Gomez mode. Salifoski’s playing ranges from the tasteful, lightly stepping "Üsküdar" to the all-out groove of "Oriental Suite."

Many jazz and fusion musicians have attempted to work with non-Western musical elements, but very few have achieved this kind of authentic synthesis. The Paradox Trio’s overtures to the East are based not on faddish religiosity or empty multicultural posturing, but on thorough knowledge and mastery of the forms with which they’ve chosen to work. The result is entirely unpretentious, and entirely musical.

Cyberhome: www.knittingfactory.com


Title: Source | Year Released: 1999 | Record Label: Knitting Factory


Tags

comments powered by Disqus

More Articles

Read The Study of Touch CD/LP/Track Review The Study of Touch
by Karl Ackermann
Published: October 20, 2017
Read Another North CD/LP/Track Review Another North
by Roger Farbey
Published: October 19, 2017
Read Gledalec CD/LP/Track Review Gledalec
by John Sharpe
Published: October 19, 2017
Read Flux Reflux CD/LP/Track Review Flux Reflux
by Glenn Astarita
Published: October 19, 2017
Read Christmas With Champian CD/LP/Track Review Christmas With Champian
by Dan McClenaghan
Published: October 19, 2017
Read Harmony of Difference CD/LP/Track Review Harmony of Difference
by Phil Barnes
Published: October 18, 2017
Read "Black Diamond" CD/LP/Track Review Black Diamond
by Joe Gatto
Published: March 7, 2017
Read "Chapter Five" CD/LP/Track Review Chapter Five
by Jack Bowers
Published: May 28, 2017
Read "Trip" CD/LP/Track Review Trip
by Jeff Winbush
Published: September 12, 2017
Read "The Journey" CD/LP/Track Review The Journey
by James Nadal
Published: January 5, 2017
Read "Kind Of New 2: Blue Is Paris" CD/LP/Track Review Kind Of New 2: Blue Is Paris
by Jeff Winbush
Published: August 3, 2017
Read "Threes" CD/LP/Track Review Threes
by Hrayr Attarian
Published: July 12, 2017

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.