If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Belgian artists, William Beckers (keys) and Frank Van Bogaert (vocals, keys , guitars) founded this progressive rock quartet in 2009 and have garnered wide-appeal and praise. Along with eminent UK bassist Nick Beggs (Steve Hackett, The Mute Gods) and the other fine instrumentalists, they morph the juicier aspects of classic prog into a polished and thoroughly melodic sound, where the utmost importance is placed on compositional excellence.
Most of the works on the band's fourth album are intricately arranged with layered keys, poignant soloing jaunts and whispery vocal choruses amid hearty rock pulses and subtle paradigm shifts. Moreover, the album features Alan Parsons, saxophonist Theo Travis, Begg's daughter, vocalist Lula Beggs and others who lend their wares on various tracks. The musicians infuse numerous textural aspects via upbeat balladry, anthemic interludes and mystical shadings, where background EFX are strategically placed. Hence, nothing wreaks of overkill, but with soothing multi-part vocal harmonies and hummable thematic content, you have a little icing on the cake.
"Get Up" is a piece that typifies the ensemble's chemistry. It's largely built on medium-tempo rock grooves, wondrously contrasted by Van Bogaert's fervent acoustic guitar strumming and Becker's circular ostinato piano clusters to complement or perhaps counterbalance the overall acoustic-electric presentation. Yet Marty Townsend adds a brash dynamic front with his extended sustain-driven electric guitar notes that help elevate matters into powerful crescendos. Here, the group toggles between prog and serious-minded pop rock. However, Van Bogaert's hush-toned and harmonious vocals elucidate the catchy hook that shifts octaves, leading to a spirited wordless vocal passage, topped off with expansive keys that generate a capacious outlook. Indeed, it's another superfine outing as the quintet takes the prog rock idiom back to college by exercising refinement and upping the ante when required, among other gratifying characteristics.
Personnel: William Beckers: keyboards, percussion; Frank Van Bogaert: vocals, keyboards,
guitars, backing vocals; Nick Beggs: bass, Chapman stick, backing vocals; Marty
Townsend: electric and acoustic guitars, mandolin; Marcus Weymaere: drums,
I love jazz because of Elmer Bernstein's score for the 1957 American film noir Sweet Smell of Success, which I first saw as a teenager in the '70s. As a playwright/screenwriter, I write to music and I'm always looking for ways to incorporate it into my work; the most recent example being Bob Crosby and the Bobcats Big Noise From Winnetka, which became the signature theme for my last stage play The Gift of the Gab
I love jazz because of Elmer Bernstein's score for the 1957 American film noir Sweet Smell of Success, which I first saw as a teenager in the '70s. As a playwright/screenwriter, I write to music and I'm always looking for ways to incorporate it into my work; the most recent example being Bob Crosby and the Bobcats Big Noise From Winnetka, which became the signature theme for my last stage play The Gift of the Gab. My late great pa-in-law--the actor Keith Michell--wins the contest hands down however, as he co-starred in the 1962 movie All Night Long rubbing shoulders with Dave Brubeck, Keith Christie, Bert Courtley, John Dankworth, Ray Dempsey, Allan Ganley, Tubby Hayes, Charles Mingus, Barry Morgan, Kenny Napper, Colin Purbrook and John Scott! Wish I could have been a fly on the wall of that soundstage!
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!