Although Prism was recorded live in 1993 and originally released on the relatively obscure, “Brinkman Records” label, pianist Matthew Shipp’s self-induced sabbatical from recording, seems to be a thing of the past. Along with some recent endeavors for the “AUM Fidelity” label and other Modern jazz-based outfits, Shipp has been fairly active these days while also emerging as one of the premier improvising pianists on the planet. Here, Shipp performs alongside the venerable and highly influential bassist/composer William Parker and drummer Whit Dickey.
Prism comprises two lengthy pieces, “Prism I & Prism II”. Essentially the Trio produces a great wall of sound, marked by the pianist’s surging and notably percussive lower register attack as the band remains in perpetual motion throughout most of this affair. And while the musicians do find time to stretch their respective wares, Shipp’s compositions are seemingly geared towards a composite group sound. However, on the 30 minute piece titled “Prism I”, there is less deviation from a state of immutable flux whereas, the band switches gears more often on “Prism II”.
No doubt, these are some of the finest improvisers in the business yet Shipp’s reverence for pounding out huge block chords in often-pulsating fashion, becomes a bit hypnotic or in some instances might make you wish he would explore other alternatives. Otherwise, Prism is a relatively strong and noteworthy addition to Matthew Shipp’s increasingly significant legacy.
I grew up listening to my father's jazz records and listening to the radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy
I grew up listening to my father's jazz records and listening to the radio. My dad was a musician for many years as a vocalist, bassist and drummer. His two uncles played in the Symphony of Reggio Calabria back in Italy. So music and jazz specifically have been a part of me since I was born. I love and perform in all styles of music from around the world. Improvisation in jazz is what drew me in, and still does as well as other genres that feature improvisation. A group of great musicians expressing themselves as one is the hallmark of great jazz and in fact all great music.