177

Lenny White, et. al.: Primal Blue

Douglas Payne By

Sign in to view read count
Drummer Lenny White never shortchanges his listeners on star talent - or tremendous musical combinations. Here, he nominally leads a dream band featuring guitarist Kenny Burrell (who, by virtue of the alphabet, gets first billing), pianist Cedar Walton, bassist Ron Carter, trumpeter Tim Hagans and reedman Craig Handy. This set of easy, relaxed blues seems, at first listen, predictable and as programmatic as White's other Hip Bop all-star aggregates (Essence of Funk with Tom Browne and Benny Maupin and Afro Cubano Chant with Gato Barbieri and Bob James). But in this age of fifteen-dollar disks, there is something very rewarding about a group of great musicians getting together and making music that is so rich with the joy of playing together and enjoyable to the listener.

The genre is a natural for the guitarist (remember Midnight Blue?) and the bassist. But each player, including the very talented horn players, excels in this environment. This is Cedar Walton and Kenny Burrell's first teaming since the guitarist's 1991 disk, Sunup to Sundown, on Contemporary—and it's great to hear them together again. Ron Carter, as expected, has played with all these guys before. His talents are significant in blending the group in a warm, focused unity. White features Carter prominently throughout (as he does on other Hip Bop discs like Tom Browne's refreshing Another Shade of Browne) and most memorably here on John Coltrane's "Bass Blues" (originally from the 1957 album Traneing In). Every track works well, but standouts include White's "Uno Dos Adios," Burrell's "Primal Blue," Walton's ode to his mother, "Dear Ruth" and Carter's "For Toddlers Only."

One has trouble imagining how Lenny White can afford to continue gathering such talented friends together to make such a wide variety of stimulating genre jazz (remember his excellent Acoustic Masters series on Atlantic Jazz a few years back featuring Charles Lloyd and Bobby Hutcherson?). But here's hoping, through his Hip Bop label, he is able to continue. Recommended.

| Record Label: Hip-Bop | Style: Straight-ahead/Mainstream


Shop

More Articles

Read Cross My Palm With Silver CD/LP/Track Review Cross My Palm With Silver
by Karl Ackermann
Published: April 28, 2017
Read One Minute Later CD/LP/Track Review One Minute Later
by Dan Bilawsky
Published: April 28, 2017
Read JK's Kamer +50.92509° +03.84800° CD/LP/Track Review JK's Kamer +50.92509° +03.84800°
by Mark Sullivan
Published: April 28, 2017
Read Ephimeral CD/LP/Track Review Ephimeral
by Glenn Astarita
Published: April 28, 2017
Read Fly or Die CD/LP/Track Review Fly or Die
by Karl Ackermann
Published: April 28, 2017
Read Speechless CD/LP/Track Review Speechless
by Dan Bilawsky
Published: April 27, 2017
Read "The Wild" CD/LP/Track Review The Wild
by Jerome Wilson
Published: March 15, 2017
Read "Elevation" CD/LP/Track Review Elevation
by Dan McClenaghan
Published: September 26, 2016
Read "Chamber Jazz" CD/LP/Track Review Chamber Jazz
by Dave Wayne
Published: November 19, 2016
Read "The Joy of Being" CD/LP/Track Review The Joy of Being
by Budd Kopman
Published: February 1, 2017
Read "Hawniyaz" CD/LP/Track Review Hawniyaz
by Karl Ackermann
Published: August 1, 2016
Read "Flow" CD/LP/Track Review Flow
by Karl Ackermann
Published: August 2, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM RECORDS | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!