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The Last Night At The Old Place

Read "The Last Night At The Old Place" reviewed by Duncan Heining

By any standards the release of The Last Night At The Old Place will prove to be one of archive releases of the year, second only, perhaps, to the 'Lost' Coltrane album. All power, therefore, to Mike Gavin who has inherited the Cadillac catalogue from the late John Jack with his first release of archive material. ...

ARTICLE: INTERVIEWS

Lucia Cadotsch: Whispers Speak Louder than Screams

Read "Lucia Cadotsch: Whispers Speak Louder than Screams" reviewed by Ludovico Granvassu

Speak Low (Enja Records, 2017), the debut release of her current Trio of the same name, catapulted Lucia Cadotsch among the new artists that promise to write original chapters of vocal jazz while showing deference to the artists that preceded them. Playing a compelling brand of music that has been aptly described as “acoustic retrofuturism" --think ...

ARTICLE: LIVE REVIEWS

Jazzfest Bonn 2018

Read "Jazzfest Bonn 2018" reviewed by Henning Bolte

Jazzfest Bonn
Bonn, Germany
May 3-5, 2018

The city of Bonn, situated on the banks of the Rhine River south of Cologne in the German state of North Rhine Westphalia, is the southernmost part of the Rhine-Ruhr region, Germany's largest metropolitan area, with over 11 million inhabitants. Bonn formerly functioned as the ...

Enemy: Enemy

Read "Enemy" reviewed by Roger Farbey

An original member of Empirical, featured on their self-titled 2007 debut album, pianist Kit Downes went on to form the left-field jazz-rock trio Troyka, but had been leading his own trio as far back as 2005, with his first recording Golden released on Basho Records in 2009. On that album, as here, he was accompanied by ...

Jeff Williams: Lifelike

Read "Lifelike" reviewed by Roger Farbey

Based in London and Brooklyn, drummer Jeff Williams is a busy man. In addition to gigging and recording with his own group he currently teaches at the Royal Academy Of Music and at the Birmingham Conservatoire in the UK. This is Williams's fourth album for Whirlwind since his debut on the label with 2011's Another Time ...

Jeff Williams: Lifelike

Read "Lifelike" reviewed by Mike Jurkovic

Sounding as real as real gets, Lifelike's forward thinking drummer/composer Jeff Williams' heady sextet sure sound like they're all sitting in on a late night, cramped back room cutting session, with each player challenging, coaxing the other to new heights and horizons.

Williams, an alumni of such name drops as Stan Getz, Dave Liebman, ...

ARTICLE: UNDER THE RADAR

Culture Clubs: Part IV: When Jazz Met Europe

Read "Culture Clubs: Part IV: When Jazz Met Europe" reviewed by Karl Ackermann

The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...

ARTICLE: CD/LP/TRACK REVIEW

Kit Downes: Obsidian

Read "Obsidian" reviewed by Mark Sullivan

British jazz pianist Kit Downes has been previously heard on ECM on drummer/composer Thomas Stronen's first Time Is A Blind Guide album (2015). But in his early years Downes sang in a cathedral choir and took organ lessons. He recently returned to the pipe organ in a series of experimental projects with saxophonist Tomas Challenger, who ...

ARTICLE: CD/LP/TRACK REVIEW

Kit Downes: Obsidian

Read "Obsidian" reviewed by Karl Ackermann

In 2013, pianist/organist Kit Downes, along with saxophonist Tomas Challenger, released Wedding Music (Loop Records) featuring Downes on the B-3 organ at Huddersfield University's St Paul's Church. That recording was moored in an ethereal setting that gave it an ambient, but stately quality and the duo reunited under similar conditions for Vyamanikal (Slip Imprint, 2016). In ...

ARTICLE: CD/LP/TRACK REVIEW

Àine O'Dwyer: Gallarais

Read "Gallarais" reviewed by Karl Ackermann

Places of worship are hardly new venues for jazz or other forms of non-sectarian music. As far back as 1927, Fats Waller had recorded two pipe organ solos in a church in Camden, New Jersey. Stan Getz and Charlie Byrd recorded Jazz Samba (Barclay-Verve, 1962) at the Washington, D.C. All Souls Church on the corner of ...