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ARTICLE: ALBUM REVIEWS

Fire!: The Hands

Read "The Hands" reviewed by Sammy Stein

Rune Grammofon unleashed something special with the great music it has released over the past 20 years, and with The Hands it has surpassed itself. The Fire! trio, which consists of reedman Mats Gustafsson, bassist Johan Berthling and drummer Andreas Werlin, makes music which defies labels and classification. Now, going into a resting phase after ten ...

ARTICLE: INTERVIEWS

Dorothy & George Jacob: Putting Bray On The Jazz Map

Read "Dorothy & George Jacob: Putting Bray On The Jazz Map" reviewed by Ian Patterson

Twenty years is old for a car and really old for a dog, but in jazz festival terms twenty years is perhaps not so long in the tooth. For a jazz festival twenty years means established, with the major storms of the early years weathered, a brand that people recognize and a heap of good will ...

ARTICLE: ALBUM REVIEWS

DKV & Joe McPhee: The Fire Each Time

Read "The Fire Each Time" reviewed by Mark Corroto

Do you participate in the 21st century phenomena called 'binge-watching'? With the advent of Netflix and downloadable television, consumers can view an entire television series in one sitting. Be it eight episodes of Russian Doll or sixty hours of The Wire, it's all available, and the possibilities to feast are tempting. Where a filmmaker might have ...

ARTICLE: ALBUM REVIEWS

Liudas Mockūnas: Hydro 2

Read "Hydro 2" reviewed by Mark Corroto

Hydro 2 is water music, but it's not to be confused with the orchestral pieces composed by George Frideric Handel back in the early 18th century. Lithuanian saxophonist Liudas Mockūnas is headed even further back in time, back to some Darwinian vision of evolution from the murky primordial seas, forward to our bipedal momentum. Note: If ...

ARTICLE: LIVE REVIEWS

Belgrade Jazz Festival 2018

Read "Belgrade Jazz Festival 2018" reviewed by Martin Longley

Belgrade Jazz Festival
Dom Omladine/Kombank Dvorana
Belgrade, Serbia
October 25-29, 2018

The 34th edition of the Belgrade Jazz Festival maintained its exciting strategy of diverse programming, from Kurt Elling to The Thing, Marc Ribot to Bobby Shew, Cortex down to The Necks. That's already an enticing blend of ...

ARTICLE: ALBUM REVIEWS

Eraldo Bernocchi: Like A Fire That Consumes All Before It

Read "Like A Fire That Consumes All Before It" reviewed by John Ephland

RareNoise is one of those labels, one of those rare (no pun intended) labels, where format and style have become irrelevant. A recent sampling of the soon-to-be historic label should suffice in telling their ongoing musical odyssey. Pit one against the other: 2018's Anguish, featuring among others, Nordic phenom Mats Gustafsson in a wild-haired hoedown of ...

ARTICLE: ALBUM REVIEWS

The Way Ahead: Bells, Ghosts and other Saints

Read "Bells, Ghosts and other Saints" reviewed by Mark Corroto

Perry Farrell, of the rock band Jane's Addiction, might have said/sung it best in 1988, on the track “Ted, Just Admit it..." when he whispered “Nothing's Shocking." Indeed, nothing is in the 21st century. Marcel Duchamp's painting “Nude Descending a Staircase, No. 2" (1912) is mostly admired today, and certainly not the trigger for a riot. ...

ARTICLE: ALBUM REVIEWS

Mars Williams: An Ayler Xmas Volume 2

Read "An Ayler Xmas Volume 2" reviewed by Mark Corroto

Recently, a major motion picture studio remade the 1967 animation classic How the Grinch Stole Christmas!, starring the voice of Boris Karloff. You might remember the animated cartoon was based on the book of the same name by Dr. Seuss. The 21st century's computer-animation is an abomination, an insult to our childhood innocence, just as the ...

ARTICLE: LIVE REVIEWS

Jazz&Wine of Peace Festival 2018

Read "Jazz&Wine of Peace Festival 2018" reviewed by Neri Pollastri

Jazz&Wine of Peace Festival
Cormons, Collio friulano e Brda slovena
Teatro Comunale, varie sedi in cantine e sale
24-28.10.2018

Superato lo scorso anno il traguardo delle venti edizioni, il Jazz&Wine of Peace 2018 non ha abbassato l'asticella, proseguendo nel suo progetto che coniuga altissimo livello dei concerti, varietà stilistica ...

ARTICLE: ALBUM REVIEWS

The End: Svårmod Och Vemod Är Värdesinnen

Read "Svårmod Och Vemod Är Värdesinnen" reviewed by Vitalijus Gailius

The End emerge as a massive collaboration among Norwegian baritone saxophonist Kjetil Møster, Swedish baritone sax hooligan Mats Gustafsson, Norwegian noise-jazz guitarist Anders Hana, the San Francisco-based avant-rock band Deerhoof drummer Greg Saunier and miraculous singer Sofia Jernberg.

The quintet's debut “Svårmod Och Vemod Är Värdesinnen" manages to grasp several musical traditions. It sounds ...