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ARTICLE: ALBUM REVIEWS

The Pete McGuinness Jazz Orchestra: Along for the Ride

Read "Along for the Ride" reviewed by Jack Bowers

On the third album as leader of his superlative New York-based Jazz Orchestra, trombonist Pete McGuinness proves again that he is one of the more astute and resourceful composer / arrangers on the scene today. From “Put on a Happy Face" through “One for the Maestro," McGuinness' impressive charts are decorous models of warmth and perception. ...

Scott Reeves Jazz Orchestra: Without A Trace

Read "Without A Trace" reviewed by Jack Bowers

Grudging good wishes to New Yorkers who are able to see and hear the world-class Scott Reeves Jazz Orchestra on a fairly regular basis. Everyone else must make do with the occasional recording (Without a Trace is only the second by the ten-year-old ensemble which made its debut in 2008). That's not nearly enough, of course, ...

ARTICLE: ALBUM REVIEWS

Scott Reeves Jazz Orchestra: Without A Trace

Read "Without A Trace" reviewed by Edward Blanco

The Scott Reeves Jazz Orchestra follows up the highly successful debut album Portraits and Places (Origin, 2016), with another masterpiece recording on Without A Trace offering new and exciting arrangements of three standards and four creative Reeves originals that all together, pack quite a powerful musical punch. A full-tenured professor at The City University of New ...

ARTICLE: ALBUM REVIEWS

The Pete McGuinness Jazz Orchestra: Strength in Numbers

Read "Strength in Numbers" reviewed by Jack Bowers

For the second album as leader of his jazz orchestra, New York-based Pete McGuinness says he has “returned to [his] roots," fashioning a series of dapper themes that embody his forward-looking point of view while swinging in the grand tradition of such legendary ensembles as Basie, Herman, Thad Jones and others. When someone like Bill Holman ...

ARTICLE: ALBUM REVIEWS

Shirley Crabbe: Home

Read "Home" reviewed by Edward Blanco

In 2006, jazz singer Shirley Crabbe suffered from a vocal cord injury, not knowing if she would ever be able to sing again. Home is her long-awaited debut, documenting a successful return appropriately acknowledged in the opening Leonard Bernstein piece “Lucky To Be Me." Her remarkable performance gives no clue to the nature of her prior ...