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Content by tag "Tommy Flanagan"

ARTICLE: INTERVIEW

Bobby Zankel: The Soul of Jazz - Past, Present, and Future Tense

Read "Bobby Zankel: The Soul of Jazz - Past, Present, and Future Tense" reviewed by Victor L. Schermer

[This is the first of an All About Jazz series of interviews and articles on “The Many Faces of Jazz Today: Critical Dialogues," in which we will explore the current state of jazz around the world. Jazz has expanded in many directions. The business, educational, geographical, recording, and entertainment aspects have undergone major transformations. Today, there ...

ARTICLE: INTERVIEW

Eri Yamamoto: The Poet’s Touch

Read "Eri Yamamoto: The Poet’s Touch" reviewed by Jakob Baekgaard

One of the many places to go if you want to listen to jazz in New York is Arthur's Tavern. The special thing about that place is not that it is a jazz bar, but the fact that the same piano trio has played there for nearly 20 years. The name of the trio is Eri ...

Eri Yamamoto Trio: Life

Read "Life" reviewed by Vincenzo Roggero

Le note biografiche ci raccontano che Eri Yamamoto a tre anni suonava musica classica al pianoforte, a otto anni componeva brani, successivamente arricchiva il proprio curriculum con lo studio della viola, della voce e della composizione. Un vero e proprio enfant prodige che durante il primo viaggio negli Stati Uniti assiste casualmente ad una esibizione di ...

ARTICLE: INTERVIEW

Remembering Milt Jackson

Read "Remembering Milt Jackson" reviewed by Lazaro Vega

This interview was first published at All About Jazz in November 1999 and is part of our ongoing effort to archive pre-database material.

This interview was conducted prior to a Modern Jazz Quartet performance at Hope College, Holland, Michigan in September of 1989. Broadcast at the time on Blue Lake Public Radio; portions of ...

NEWS: BIRTHDAY

Jazz Musician of the Day: Tommy Flanagan

Jazz Musician of the Day: Tommy Flanagan

All About Jazz is celebrating Tommy Flanagan's birthday today!

Rarely has such unanimously unstinting praise been bestowed on a less self-congratulatory recipient. As genial and matter-of-fact off the stand as he is fiercely individual at the keys, Tommy Flanagan handles his world class ranking with an equanimity, a modesty, an easy friendliness not always associated ...

Paul Chambers: Paul Chambers Quintet - 1957

Read "Paul Chambers: Paul Chambers Quintet - 1957" reviewed by Marc Davis

From 1955 to 1965, Paul Chambers was probably the most prolific jazz bassist in the world. He appeared on scores of albums, including some of the best and most famous of all time. So it was not a huge surprise when, in 1957, he turned out a classic of the genre. Bass on Top literally turned ...

ARTICLE: UNDER THE RADAR

Jazz Education: The Next Generation, Part 2

Read "Jazz Education: The Next Generation, Part 2" reviewed by Karl Ackermann

Part 1 of Jazz Education: The Next Generation explored how the early days of music and--specifically--jazz music was approached through various channels of formal education. The long, arduous process of creating an accepting environment for jazz education necessitated moving the art form from a vaudevillian status through a firewall of academic elitism and prejudice to a ...

Gene Ammons: Boss Tenor

Read "Boss Tenor" reviewed by Matthew Aquiline

Tenor saxophonist Gene Ammons' tone can be best described using the qualities of an ideally brewed cup of joe: rounded, bold, smooth, and exhilarating after first taste.

Widely regarded as an original founder of the “Chicago school of tenor sax," Ammons' nonchalant, yet indelible sound--echoing the soft, breathy tone of Lester Young--drove him to ...

ARTICLE: INTERVIEW

Greg Osby: Saxophone “Griot”

Read "Greg Osby: Saxophone “Griot”" reviewed by Victor L. Schermer

The griot is a West African historian, storyteller, praise singer, poet and/or musician, a repository of oral tradition who is often seen as a societal leader. Saxophonist Greg Osby recently was excited to meet some griots on his travels. While he is originally from jny: St. Louis, he himself is a griot in many senses of ...

The Dan Trudell Trio: Dan Trudell Plays the Piano

Read "Dan Trudell Plays the Piano" reviewed by Angelo Leonardi

L'aver privilegiato a lungo l'Hammond B3 non ha indotto Dan Trudell ad abbandonare il pianoforte, strumento in cui s'è formato e diplomato alla North Texas State University. Trasferitosi a Chicago nel 1990 ha iniziato ad affiancare il ruolo di pianista a quello di organista formando un organico col batterista funk Clyde Stubblefield e iniziando un'apprezzata atività ...


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